by Maggie Testa ; illustrated by Jason Fruchter ‧ RELEASE DATE: Aug. 30, 2016
A terrific resource for fans of Daniel Tiger and newcomers alike.
Animated PBS character Daniel Tiger helps readers tell time.
Mr. Rogers–like (explicitly—the show is produced by the Fred Rogers Co.), Daniel Tiger welcomes his neighbors, inviting them to spend the day with him and learn to use a clock along the way. A large clock face with movable hands is accessible through a large, die-cut circle in the upper-right corner of each double-page spread. The hands click and clack as they’re moved around the clock’s face, and the sound is peculiarly satisfying. Each hand has a different noise, helping children to differentiate between the two. Daniel and his family and friends do lots of things throughout the day, including eating breakfast, going to school, running errands, eating dinner, and going to bed. The illustrations emulate the show’s rounded, calmly colored style. Fans of the television show will be entranced. Daniel’s constant engagement with readers will spawn busy interaction, and the fact that this book covers a whole day makes it an excellent read right before bed.
A terrific resource for fans of Daniel Tiger and newcomers alike. (Board book. 2-3)Pub Date: Aug. 30, 2016
ISBN: 978-1-4814-6934-0
Page Count: 14
Publisher: Simon Spotlight
Review Posted Online: Aug. 29, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by John Hutton ; illustrated by Sarah Jones ‧ RELEASE DATE: April 1, 2016
A sweet but not essential book.
A whole host of children presents a whole host of balls in this new installment in the Baby Unplugged series.
There are so many kinds of balls in this little board book. Big ball, shiny ball, game ball, plain ball, spot ball. And not all are necessarily balls. Some are round objects, like the snowball and the clay ball or the blueberry that is a “tiny ball.” Some balls are verb balls, like the “throw ball, / catch ball, / go ball, / fetch ball!” There is even a gotcha! ball that’s “not ball”—it’s a cube! And all these balls are being played with by an equally eclectic group of children. African-American, Asian, brown-skinned, and blond and brunette white children are all represented here in illustrations that are charming and clear but not particularly artful. It feels as though both author and illustrator are trying so hard to include so much that they’ve almost forgotten to have fun. It’s reminiscent of One Fish, Two Fish, Red Fish, Blue Fish but without the spark that turns an OK book into a timeless classic. Best suited for young children who are already quite verbal.
A sweet but not essential book. (Board book. 2-3)Pub Date: April 1, 2016
ISBN: 978-1-936669-42-4
Page Count: 14
Publisher: blue manatee press
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
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by Mike Austin & illustrated by Mike Austin ‧ RELEASE DATE: June 25, 2012
Just as visually appealing as the app at first glance, and possibly even more durable—but showing considerable fall-off in...
The blue cat that starred in the excellent app A Present for Milo (2010) makes an awful crossover from the digital domain.
Printed on extra-sturdy boards with folded (rather than glued) flaps, the episode sends Milo in search of his missing ball of string. Led by a helpful mouse, he discovers piles of yarn in various geometric shapes that, once each flap is lifted, reveal common items of the same shape. These range from a square slice of cheese to a triangular piece of pizza to a rectangular granola bar. Meanwhile, behind Milo, two other mice roll up the continual line of multicolored yarn that loops through each cartoon scene so that by the end the ball is restored. Not only is the prose numbingly wooden (“Little mouse,” says Milo, “will you help me find my ball of string?”), it is confusingly phrased. Milo rejects the square because it has “four sides,” which doesn’t distinguish it from the rectangle, and the oval egg isn’t like a ball because it’s “sort of round-ish but also long-ish.” Moreover, the concluding general romp comes off less as a resolution to the plotline than filler for the final spread. In marked contrast to his app incarnation, Milo is no more than a static presence in the art, his body shape even duplicated in some scenes rather than redrawn.
Just as visually appealing as the app at first glance, and possibly even more durable—but showing considerable fall-off in narrative quality and awareness of audience. (Board book. 2-3)Pub Date: June 25, 2012
ISBN: 978-1-60905-209-6
Page Count: 16
Publisher: Blue Apple
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: May 1, 2012
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