Jain and MacKay's story and art work seamlessly to convey an important and subtle story of love, loss, beauty, and joy.
A young girl and her mother soothe themselves to sleep during a power outage in modern urban India, despite how sorely they both miss Maya's dead Papa.
Slim as this plot is, the evocative text and illustrations conspire to tell and show a story that is more than the sum of its parts. The deep purples, blues, and greens and the rich blacks of MacKay's constructed “paper theater” art convey both the scariness and the magic of nighttime. These moody darks are perfectly contrasted and illuminated by the glow of candlelight, oil lamps, and the lights of distant neighborhoods. Though he’s gone, Papa’s presence is palpable in the tenderness between Maya and Mumma. The book contrasts dark and light, the modern Indian city and the mythical banyan tree jungle of the bedtime story Mumma tells, the sadness of Papa's absence and the closeness between Maya and her mother. Maya's willing imagination conjures the beautiful visual and aural image of a "growling" autorickshaw that becomes a tiger. Following her mother's lead, Maya understands that the tiger is but scratching an itch and that the snake is just rustling leaves as it moves. When she embraces the nighttime animals of her imagination as friends, she can at last hear the tune of her father's familiar, lulling whistle.
Jain and MacKay's story and art work seamlessly to convey an important and subtle story of love, loss, beauty, and joy. (Picture book. 4-10)Pub Date: April 15, 2016
ISBN: 978-1-77147-100-8
Page Count: 32
Publisher: Owlkids Books
Review Posted Online: Feb. 1, 2016
Kirkus Reviews Issue: Feb. 15, 2016
BOOK REVIEW
BOOK REVIEW
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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