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THE GREEN MUSICIAN

Name: THE GREEN MUSICIAN
Author: Mahvash Shahegh
ISBN: 978-1-937786-42-7

by Mahvash Shahegh ; illustrated by Claire Ewart ‧ RELEASE DATE: Aug. 1, 2015

A serene, simply retold tale of dreams pursued and achieved.

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A young musician finds a clever way to play to a royal audience in this tale from ancient Persia.

Drawn from Ferdowsi’s 11th-century Book of Kings, the tale describes how the dream of Barbad (a seventh-century historical figure) to become King Khosrow’s resident minstrel was blocked by the refusal of Sarkash, the jealous incumbent, to allow him into the palace. Barbad gets his audition at last, however, by painting himself green, hiding in a tree in the royal gardens, and playing from concealment until the delighted king calls him down. Though decorated with peacocks and other Eastern images, Ewart’s watercolor illustrations are done in a realistic rather than “Persian miniature” style and set the episode amid verdant hills and rich interiors awash in candlelit gold. In this general atmosphere of peace and plenty, everyone, even Sarkash (at first), looks happy and smiles engagingly. The artist sometimes has Barbad playing his oud left-handed, sometimes right-, but his face is alight with character, and she leaves him at the end glancing up at viewers with a dimpled grin of well-deserved triumph.

A serene, simply retold tale of dreams pursued and achieved. (source and background notes) (Picture book/folk tale. 6-8)

Pub Date: Aug. 1, 2015

ISBN: 978-1-937786-42-7

Page Count: 36

Publisher: Wisdom Tales

Review Posted Online: April 28, 2015

Kirkus Reviews Issue: May 15, 2015

Categories:

CHILDREN'S HISTORICAL FICTION

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THE ADVENTURES OF HENRY WHISKERS

From the Adventures of Henry Whiskers series , Vol. 1

by Gigi Priebe ; illustrated by Daniel Duncan ‧ RELEASE DATE: Jan. 3, 2017

Innocuous adventuring on the smallest of scales.

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The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.

In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).

Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)

Pub Date: Jan. 3, 2017

ISBN: 978-1-4814-6575-5

Page Count: 144

Publisher: Aladdin

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

Categories:

CHILDREN'S ACTION & ADVENTURE FICTION | CHILDREN'S ANIMALS | CHILDREN'S HISTORICAL FICTION

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ELIZABETH STARTED ALL THE TROUBLE

by Doreen Rappaport ; illustrated by Matt Faulkner ‧ RELEASE DATE: Feb. 23, 2016

Rappaport makes this long struggle palpable and relevant, while Faulkner adds a winning mix of gravitas and high spirits.

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Rappaport examines the salient successes and raw setbacks along the 144-year-long road between the nation’s birth and women’s suffrage.

This lively yet forthright narrative pivots on a reality that should startle modern kids: women’s right to vote was only achieved in 1920, 72 years after Elizabeth Cady Stanton organized the first Women’s Rights Convention in Seneca Falls, New York. Indeed, time’s passage figures as a textual motif, connecting across decades such determined women as Stanton, Sojourner Truth, Susan B. Anthony, and Lucy Stone. They spoke tirelessly, marched, organized, and got arrested. Rappaport includes events such as 1913’s Women’s Suffrage Parade in Washington, D.C., but doesn’t shy from divisive periods like the Civil War. Faulkner’s meticulously researched gouache-and-ink illustrations often infuse scenes with humor by playing with size and perspective. As Stanton and Lucretia Mott sail into London in 1840 for the World Anti-Slavery Conference, Faulkner depicts the two women as giants on the ship’s upper deck. On the opposite page, as they learn they’ll be barred as delegates, they’re painted in miniature, dwarfed yet unflappable beneath a gallery full of disapproving men. A final double-page spread mingles such modern stars as Shirley Chisholm and Sonia Sotomayor amid the historical leaders.

Rappaport makes this long struggle palpable and relevant, while Faulkner adds a winning mix of gravitas and high spirits. (biographical thumbnails, chronology, sources, websites, further reading, author’s note) (Picture book/biography. 6-8)