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LIVING WITH INTENT

MY SOMEWHAT MESSY JOURNEY TO PURPOSE, PEACE, AND JOY

Chopra is the main character in her own minimelodrama.

A lightweight self-help book about living the life you want.

“Intents,” writes Chopra, daughter of Deepak, are expressions of who we aspire to be…[and] are a way of defining what we want and asking the universe or God for help.” Her book, written mainly in the present tense, focuses on her own recent period of resolve to live “with intent.” Finding an acronym in the word “intent,” Chopra divides her work into six sections: Incubate, Notice, Trust, Express, Nurture and Take Action. She presents herself as a stereotypically harried, suburban soccer mom, prone to guilt, stress and self-image issues. The story she shares is her own attempt to redefine her priorities, and she herself becomes one of those priorities. Indeed, the author is the center of this book, and her presence often overshadows the advice given. Chopra takes readers on a wide-ranging tour of intent-related concepts, beginning with meditation, a practice which, in many ways, is foundational to intentional living. She also discusses the importance of putting intents into words, expressing them and sharing them with others. She espouses the practice of nurture, but it’s less the nurturing of others than the nurturing of self. Indeed, though Chopra pays lip service to asking, “How can I serve?” she comes off as self-absorbed. In one instance, a family friend is diagnosed with cancer. The author’s common reaction is, “If this happened to one of us, how would we handle it?” On a trip to India to visit aging relatives, she wallowed in their fawning nurture. Upon arriving home, she was overwhelmed with stress by her first conversation with her family: “Later, while lying in bed, I try to figure out why I felt so instantly tense, and I realize their stories triggered that all-too familiar toxic cocktail of guilt and worry.”

Chopra is the main character in her own minimelodrama.

Pub Date: April 7, 2015

ISBN: 978-0-8041-3985-4

Page Count: 288

Publisher: Harmony

Review Posted Online: Jan. 13, 2015

Kirkus Reviews Issue: Feb. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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