Defying gender stereotypes, this book touches upon important topics.
In this book that looks at gender stereotyping from a male perspective, young Sadiq loves to stitch, like his mother.
Unfortunately, in his community, only women and girls embroider beautiful patterns on rugs, while men and boys tend to their sheep and goats. How can Sadiq convince Ammi of his passion for stitching? Sadiq is a nomadic Bakarwal goatherd in the mountainous region of Kashmir in India. This picture book gives an authentic peek into the lush meadows and high mountains where his tribe travels to find the best grass for their herd, sipping their noon-cha (tea with milk, salt, and baking powder) to keep warm. It also highlights gender stereotypes in his community, which allow only women to work on the unique free-form embroidery that Sadiq loves—so he stitches in secret. When Ammi falls ill and is unable to complete a commission, Sadiq surprises her with a rug he embroidered, causing her to reverse her position abruptly to support his needlework ambitions. Colorful watercolor illustrations show expansive landscapes, vibrant embroidered rugs, and the dark-haired, dark-eyed, fair-skinned Muslim Bakarwal people wearing traditional clothes and headgear. The author’s note at the end of the book gives a few more details about this small shepherding community. There is no glossary or pronunciation guide for young readers unfamiliar with the culture.
Defying gender stereotypes, this book touches upon important topics. (Picture book. 4-8)Pub Date: Sept. 1, 2020
ISBN: 978-81-933889-1-4
Page Count: 40
Publisher: Karadi Tales
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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