Evocative, heady and overflowing with history and lore.
The history and mystery of the power of scent.
Respected perfumer Aftel (Scents & Sensibilities: Creating Solid Perfumes for Well-Being, 2005, etc.) will greatly expand the knowledge of what readers think they know about fragrance as she chronicles the medicinal, culinary and spiritual uses of aromatics from antiquity to the present. "Scent, in a sense, is spirit: potent, invisible, omnipresent, elusive, capable of transforming experience of meaning,” she writes. By blending "distinct personalities…textures and shapes,” the author doesn't merely create pleasant aromas; she opens an olfactory portal to the sensual and spiritual appetites that make us feel alive and in the moment, and these scents touch us far deeper than a department-store cologne. Aftel is a skillful storyteller, and the dreamy quality of her writing will transport readers as they come to understand that scent is "one of the most accessible yet irreducible experiences of magic that we have." The author believes that it is important to "familiarize yourself with the nuances of the aromatic materials themselves" to dramatically increase your awareness and appreciation of it. To that end, she devotes sections of her book to the five basic scents on which nearly all other concocted fragrances are made: cinnamon, mint, frankincense, ambergris and jasmine. She considers herself and fellow "artisanal perfumistas" as craftspeople and historians and defines "artisan" as "learned from the manual labor of making something yourself….This knowledge comes not from writing and reading but by making and doing, and it is imprinted as much in the physical routines of the body as in the brain.” Aftel welcomes fledgling explorers of blending scents to experiment with her recipes for solid perfumes and body oils—as well as more fanciful creations like "frankincense shortbread" or “jasmine-ambergris chocolate.”
Evocative, heady and overflowing with history and lore.Pub Date: Oct. 16, 2014
ISBN: 978-1-59463-141-2
Page Count: 288
Publisher: Riverhead
Review Posted Online: Aug. 26, 2014
Kirkus Reviews Issue: Sept. 15, 2014
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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