Nuanced, thoughtful, often moving stories.
From three-time O. Henry winner Muñoz, a new and often luminous collection, his third.
Many of the stories gathered here are set in the 1980s and '90s and feature people living in severely straitened and threatened circumstances: the families of Mexican and Mexican American farmworkers in California's Central Valley who are routinely rounded up by the Immigration and Naturalization Service, repatriated, and then return, again and again; gay men in an age of AIDS and widespread homophobia; trapped and housebound teens. In "The Reason Is Because," we meet a high school girl forced by pregnancy to drop out of school. She lives with her mother and her newborn in near isolation, and the only hope for change anyone seems able even to imagine is a marriage to the swaggering, not-very-bright, and mostly uninterested father. In "Anyone Can Do It," the wife of a fruit picker who (though American-born) has been hauled away with his co-workers by La Migra is swindled out of her chief asset by a neighbor she'd thought an ally. Another standout is the moving title story, in which Mark, a water-company clerk, falls in love with Teddy, a sweet-tempered, beautiful young man who's been hustling in LA, and is surprised when Teddy seems not only willing, but eager to leave the glitz of the city to settle with him in Fresno. Eventually it's revealed that Teddy is dying of AIDS. Mark kicks him out and then—tortured—drives all the way to the small Texas town where Teddy was born and where, it turns out, he has just died. Perhaps best of all is the closer, "What Kind of Fool Am I?" Here we meet a rule-following Texas teen who bristles at the strictures of home and the narrowness of her prospects but sees little way around them. Her bolder or just more desperate younger brother keeps running off, looking for a wider world that might accept him. Her task is to find him and bring him home—until, that is, her brother manages to get far enough away to provide escape velocity for her, too.
Nuanced, thoughtful, often moving stories.Pub Date: Oct. 18, 2022
ISBN: 978-1-64445-206-6
Page Count: 224
Publisher: Graywolf
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
One of the noblest characters in American literature gets a novel worthy of him.
Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.
This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.
One of the noblest characters in American literature gets a novel worthy of him.Pub Date: March 19, 2024
ISBN: 9780385550369
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PERSPECTIVES
PERSPECTIVES
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