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THE OFFICERS’ WARD

Curiously light, an herbal teacup of the grim horrors drunk by the gallon by predecessors long ago.

First-novelist Dugain’s return to WWI, winner of the Prix des Libraires, offers quietly extended moments of seeming authenticity, then ends not in ashes but in soap.

In 1914, Adrian Fournier is 24, a civil engineer—and an officer. In his first day at the front, before the fighting has really even begun, he’s told to scout for locations along the Meuse where bridges can be built—but he doesn’t get far. Just as he’s gotten off his horse, the two men with him are killed and he himself is wounded hideously, never having even seen the enemy. His injury is “maxillofacial,” a wound to the face—or, more exactly, the loss of the whole center part of his face. He becomes the first patient in the wing of the Val de Grâce military hospital set aside for officers with this dreadful type of wound. There he’ll stay for the duration, in fact until April of 1919, undergoing a total of 16 operations (though his face “still did not look human”) and pondering how to go on with life afterward. As the ward fills, he becomes a kind of respected senior figure along with two others—Weil and Penanster—who remain patients as long as he does and with whom he becomes lifelong friends. There’s a woman in the picture also—Fournier met her only once, the night before he went to the front. Will she remember him? Will his appalling wound make love impossible? Weil counsels that sexual love is over for men with wounds like theirs—but could he be wrong? The love melodrama, though, poses fewer troubles for the reader than does the inexplicable good cheer of these ruined men, fêted by the state apparatus that even now still hasn’t embittered them (“It was a great day, and I came away convinced that this had indeed been the war to end all wars”).

Curiously light, an herbal teacup of the grim horrors drunk by the gallon by predecessors long ago.

Pub Date: Nov. 1, 2001

ISBN: 1-56947-265-3

Page Count: 144

Publisher: Soho

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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