BEAR IS NEVER ALONE

Name: BEAR IS NEVER ALONE
Author: Marc Veerkamp
ISBN: 978-0-8028-5603-6

by Marc Veerkamp ; illustrated by Jeska Verstegen ; translated by Laura Watkinson ‧ RELEASE DATE: April 4, 2023

While cries for this one may not rival those of the protagonist’s fans, it will find a happy home with solitude seekers.

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An ursine pianist flees fame and finds a friend.

This elegant Dutch import centers on Bear, a piano player capable of wowing hordes of forest denizens. Alas, when he attempts to stop, the other animals will not hear of it. They harangue him, hounding him with cries of “MORE!” Pushed past the breaking point, he roars at them until only a lone zebra remains, offering to read him a story to thank him for the beautiful music. Bear refuses, then immediately recants with a gentle “Let’s be alone together.” While this ending is a bit abrupt, it is entirely possible that parents or children seeking solitude from the relentless love of others will see a bit of themselves in Bear’s plight. The real stars of the show are Verstegen’s stunning mixed-media illustrations. Almost wholly black and white, they’re shot through on occasion by a vibrant bolt of red, providing just the right measures of surreal extremes and quiet contemplation. Consider pairing with another tale of tickling the ivories in the forest: David Litchfield’s The Bear and the Piano (2015). (This book was reviewed digitally.)

While cries for this one may not rival those of the protagonist’s fans, it will find a happy home with solitude seekers. (Picture book. 4-7)

Pub Date: April 4, 2023

ISBN: 978-0-8028-5603-6

Page Count: 32

Publisher: Eerdmans

Review Posted Online: Jan. 24, 2023

Kirkus Reviews Issue: Feb. 15, 2023

Categories:

CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

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ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

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FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024

Too cute to be spooky indeed but most certainly sweet.

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A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)