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KALTENBURG

This scattershot novel could have used some livelier scenes to ensure a richer presentation of its protagonist.

Ornithologists single-mindedly pursue their vocation in post–World War II East Germany; a sui generis third novel from the German author. 

Hermann Funk’s destiny is ordained when the scared child notices that the bird, a swift, trapped in his living room has legs, contrary to popular belief; the future ornithologist has heeded the first rule of science: Observe. Hermann lives in Posen (today’s Poznan), where his father is a botany professor. One day in 1942 his father brings home his Viennese friend Ludwig Kaltenburg, a charismatic zoology professor based on Nobel Prize winner Konrad Lorenz; then overnight their friendship ends, a mystery only resolved years later. In 1945 Funk hustles his family out of town to escape the oppression of Nazi faculty members. It’s their rotten luck to arrive in Dresden right before the Allies’ notorious firebombing. Eleven-year-old Hermann survives; his parents die. Their bodies are never found. Beyer tells his story obliquely; it’s a loosely chronological mosaic of memories. The omissions are disturbing. We are left to guess the extent of narrator’s Hermann pain. His difficult years with a Dresden foster family are barely glimpsed. Deliverance comes in the ’50s when father figure Kaltenburg installs him at his Dresden Institute and Hermann meets his future wife, the fearless Klara. While the primary focus is bird research, we are not allowed to forget that the ornithologists are working in the cross-currents of history; fear is pervasive in the East German police state. Kaltenburg’s glory years end when a protégé accidentally alarms a tame raven. The bird attacks. The professor intervenes, disarming his protégé before banishing him. His favoring bird over man unsettles the Institute; then the oblivious professor is dislodged by his conniving deputy. (Obvious irony: Kaltenburg has failed at observation.)  However, that striking raven scene has revealed more about Kaltenburg than all the skeletons of his World War II past, which come tumbling out at the end.

This scattershot novel could have used some livelier scenes to ensure a richer presentation of its protagonist. 

Pub Date: April 17, 2012

ISBN: 978-0-15-101397-5

Page Count: 352

Publisher: Houghton Mifflin Harcourt

Review Posted Online: March 20, 2012

Kirkus Reviews Issue: April 1, 2012

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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