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40 MEN AND 12 RIFLES

INDOCHINA 1954

Both affirming and chilling.

Graphic novelist Truong, with translation by Homel, follows a young man’s journey from privileged artist to soldier and reluctant propagandist during the revolutionary fervor of 1950s Vietnam.

The title refers to an “armed propaganda unit” in the Viet Minh army, which fought the French occupation of Vietnam. Despite the description, these units also included women, artists of all stripes lending their skills to turn “the People’s Army” from illiterate peasants into violent revolutionaries. But beyond creating portraits of Communist leaders and dehumanizing caricatures of their opponents, the APUs would also execute those not loyal enough to the cause. We enter this world of thought control and bloody conflict via a young painter named Minh, who spends his days painting nudes of his secret girlfriend in his studio in bustling and urbane Ha Noi. Minh’s father tries to keep his son from the grip of the Communists by sending him to a family estate in the countryside, but there Minh realizes the revolutionaries have violently seized control, and he survives only by becoming a “friend of the Revolution”—getting combat training in China and being admonished for his bourgeoise habits like carrying a sketchbook. But the Communists find use for his talents, assigning him to propaganda work, which he deeply resents and tries to subvert—at the risk of his life. He finds favor with his fellow soldiers and the villagers caught up in the conflict by drawing and gifting portraits of those he encounters. All the while his artist’s heart wrestles with the lies and dogma enforced by Party officials. It’s a fascinating look at a troubling and complex time, and Truong’s art has an appealingly clean, direct style, while his writing conveys wit and heart.

Both affirming and chilling.

Pub Date: Oct. 3, 2023

ISBN: 9781551529233

Page Count: 296

Publisher: Arsenal Pulp Press

Review Posted Online: Sept. 22, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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SUPERMAN SMASHES THE KLAN

A clever and timely conversation on reclaiming identity and acknowledging one’s full worth.

Superman confronts racism and learns to accept himself with the help of new friends.

In this graphic-novel adaptation of the 1940s storyline entitled “The Clan of the Fiery Cross” from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane’s colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta’s brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are White, but Black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green.

A clever and timely conversation on reclaiming identity and acknowledging one’s full worth. (author’s note, bibliography) (Graphic fiction. 13-adult)

Pub Date: May 12, 2020

ISBN: 978-1-77950-421-0

Page Count: 240

Publisher: DC

Review Posted Online: Feb. 29, 2020

Kirkus Reviews Issue: March 15, 2020

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