Will’s twins, Hamnet and Judith, might themselves have been entranced by this clever telling of seven of their dad’s plays. Williams has a brilliant signature style: in bright watercolor and ink images replete with fulsome and waggish detail, she builds a page of panels surrounded by a border. In the panels, the text is taken from Shakespeare’s own words; below the panels, her narrative continues the action. The borders, inspired by illuminated manuscript drolleries, are full of comments from the audience, rife with puns (“It’s what you Will!”) and sly remarks (“a plague on all this kissing!”). She handles As You Like It, Antony and Cleopatra, Richard II, Twelfth Night, King Lear, The Merchant of Venice, and Much Ado About Nothing fearlessly, using a grisaille, Gorey-esque palette for the tragedies and full-out color saturation for the comedies, all with a kind of nervous, effervescent line that suits both initial and repeated examination. All the adoring fans of Williams’s Tales from Shakespeare will rejoice, and new ones will join in the applause. (Picture book. 8-12)
Pub Date: Nov. 1, 2000
ISBN: 0-7636-1209-X
Page Count: 40
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2000
After Castro’s takeover, nine-year-old Julian and his older brothers are sent away by their fearful parents via “Operation Pedro Pan” to a camp in Miami for Cuban-exile children. Here he discovers that a ruthless bully has essentially been put in charge. Julian is quicker-witted than his brothers or anyone else ever imagined, though, and with his inherent smarts, developing maturity and the help of child and adult friends, he learns to navigate the dynamics of the camp and surroundings and grows from the former baby of the family to independence and self-confidence. A daring rescue mission at the end of the novel will have readers rooting for Julian even as it opens his family’s eyes to his courage and resourcefulness. This autobiographical novel is a well-meaning, fast-paced and often exciting read, though at times the writing feels choppy. It will introduce readers to a not-so-distant period whose echoes are still felt today and inspire admiration for young people who had to be brave despite frightening and lonely odds. (Historical fiction. 9-12)
Pub Date: Aug. 3, 2010
ISBN: 978-1-59643-168-3
Page Count: 256
Publisher: Roaring Brook Press
Review Posted Online: June 14, 2010
Kirkus Reviews Issue: July 1, 2010
BOOK REVIEW
A fast and funny alternative to the Wimpy Kid.
Black sixth-grader Jake Liston can only play one song on the piano. He can’t read music very well, and he can’t improvise. So how did Jake get accepted to the Music and Art Academy? He faked it.
Alongside an eclectic group of academy classmates, and with advice from his best friend, Jake tries to fit in at a school where things like garbage sculpting and writing art reviews of bird poop splatter are the norm. All is well until Jake discovers that the end-of-the-semester talent show is only two weeks away, and Jake is short one very important thing…talent. Or is he? It’s up to Jake to either find the talent that lies within or embarrass himself in front of the entire school. Light and humorous, with Knight’s illustrations adding to the fun, Jake’s story will likely appeal to many middle-grade readers, especially those who might otherwise be reluctant to pick up a book. While the artsy antics may be over-the-top at times, this is a story about something that most preteens can relate to: the struggle to find your authentic self. And in a world filled with books about wanting to fit in with the athletically gifted supercliques, this novel unabashedly celebrates the artsy crowd in all of its quirky, creative glory.
A fast and funny alternative to the Wimpy Kid. (Fiction. 8-12)Pub Date: March 28, 2017
ISBN: 978-0-553-52351-5
Page Count: 144
Publisher: Crown
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
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