BROKEN FIELDS

Peyton Place meets Fargo in this clipped tale of misdoings in the Red River Valley.

As she’s plowing a field on Bud Borgerud’s farm one morning, Cash Blackbear spots a car parked with its engine running outside a house Borgerud’s renting to Nils and Arlis Petterson. The car is still there and still running the next time Cash passes, and the time after that. So Cash, an Ojibwe woman with a troubled past and a sixth sense that tells her things other people miss, pulls over and checks out the car, which is empty, and the house, which is occupied by a little girl and a dead body. The terrified girl speaks only enough to identify herself as Shawnee, but Cash recognizes the corpse as that of Bud Borgerud. Although Norman County Sheriff David Wheaton, the mentor who’s already gotten Cash out of more than one dangerous situation, assumes that Arlis Petterson shot her landlord and ran off with her husband, Cash can’t imagine why Arlis would abandon a child Cash believes is her daughter, a child who’s now unhappily shifted first to a county social worker’s custody, then to newly widowed Jean Borgerud’s. And the balance of authority shifts from Wheaton to Cash when she rescues him from the trunk of his car, where he’s been locked by a trio of bank robbers who got the drop on him. Rendon is less interested in spinning out further complications—most readers will spot Borgerud’s killer early on—than in exploring the ways the deck is stacked against Cash because she’s a woman, an Ojibwe, and a maverick with limited respect for white men’s rules.

A telling epitaph for the dreams of a heroine who had “dared to hope for something else this time.”