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MUMMY CAT

Elegantly designed for young fans of ancient Egypt, this sweet ghost story of a pet’s love for its owner transcends time.

“Deep within this maze of stone, / a creature wakes up, all alone.”

On this evening in Egypt, a cat that has been mummified and placed inside a pyramid awakens “for the first time in a hundred years.” Will he find what he is looking for? Ewert has created a compelling story that masterfully melds introductory information about the ancient Egyptian practice of mummification, its royalty, the people’s reverence of cats, and a look at hieroglyphics. As the cat explores the tomb, he fondly remembers his owner, Hatshepsut, and all they did together. Brown expertly employs a mix of media to create illustrations in a palette of soft browns with pops of blue, yellow, and orange hues. Paintings on the pyramid’s walls depict not only the cat and the queen’s relationship, but also the perils of being an Egyptian ruler. The mummy cat wanders, lonely. “This cold, golden coffin—is this all he gets? / Where is the girl he can never forget?” Readers will smile as the page turn reveals the mummy queen beginning to emerge from her sarcophagus. For those who would like to learn more, the backmatter includes succinct yet helpful notes on “Mummies, Cats, Queens, and Hieroglyphs.” A seek-and-find feature with sets of hieroglyphs invites further investigation as well.

Elegantly designed for young fans of ancient Egypt, this sweet ghost story of a pet’s love for its owner transcends time. (Picture book. 5-9)

Pub Date: July 21, 2015

ISBN: 978-0-544-34082-4

Page Count: 48

Publisher: Clarion Books

Review Posted Online: July 14, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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