Not necessarily just for Halloween; readers can appreciate it any time.
Which cottage would stand out more in a real estate ad: cute or…haunted?
Clarissa the sentient cottage dislikes cuteness; as a pink, adorable haven for flowers and squirrels, she’s bored. She yearns to be scary and haunted like her father, a gloomy castle, and her mother, a smelly, vermin-infested witch’s hut. Dad gladly donates clouds but tells Clarissa it’s OK to be herself. The clouds are a bust because they bring rain, which brings forth…a rainbow, plants, and birds. Mom supplies a reeking bottle whose contents allegedly repel living things. Clarissa opens it but…attracts playful dogs. Finally abandoning her desire for a ghostly boarder, Clarissa invites her animals to remain. At the end, a particular creature’s unexpected arrival—and its most uncharacteristic behavior—reveal Clarissa’s true nature: horrible and cute. And she’s just fine with that. This rhyming story is certainly an unusual take on the finding-oneself trope. The bouncy verses mostly read and scan well, include sophisticated vocabulary, and provide Clarissa with a spunky, appealing personality. Different typefaces represent the voices of Clarissa, each parent, and the narrator. The cheerful, lively illustrations are very colorful but a trifle twee; Clarissa and her parents are differentiated through vivid pinks, dreary shades, and anthropomorphic faces. Nature blossoms via bright depictions of flowers, trees, animals, and birds.
Not necessarily just for Halloween; readers can appreciate it any time. (Picture book. 4-7)Pub Date: July 7, 2020
ISBN: 978-1-68119-791-3
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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