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QUESTIONS, QUESTIONS

In a departure from his usual sparkly fare, Pfister’s latest is a sweetly simple look at some very deep questions, allowing children the opportunity to delve into some of life’s mysteries. The questions, each presented as a rhyming couplet, could have been just as easily formulated by a child as by the author—they feel like the charming queries children seem to make when adults least expect them. “How do seeds know when to grow, / to reach up from the earth below?” “Does a whale make up a song / so other whales will sing along?” Although readers will find no answers here, most have scientific explanations, but others certainly hint toward the divine. And while the text is well written (translated from German), it is the beautiful artwork that will draw readers back for more. Luminous colors and amazing textures stand out against the stark, white backgrounds. While new to Pfister, the technique suits the tone of the text to a T. Each element was cut from thick cardboard, then painted with acrylics and stamped onto paper to complete the individual scenes. The result echoes the mix of simplicity and complexity inherent in each question. In a world that so often emphasizes answers and solid facts, it is refreshing to see a text that encourages questioning, whether realistic or imaginative flights of fancy. (Picture book. 3-7)

Pub Date: March 1, 2011

ISBN: 978-0-7358-4000-3

Page Count: 32

Publisher: NorthSouth

Review Posted Online: Feb. 10, 2011

Kirkus Reviews Issue: Feb. 15, 2011

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE DAY THE CRAYONS QUIT

A comical, fresh look at crayons and color.

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Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.

Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.

A comical, fresh look at crayons and color. (Picture book. 3-7)

Pub Date: June 27, 2013

ISBN: 978-0-399-25537-3

Page Count: 40

Publisher: Philomel

Review Posted Online: April 14, 2013

Kirkus Reviews Issue: May 1, 2013

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