Taxi-loving readers will be happy since the tiny, yellow car is the hero, but it is a title a little too easily won.
A taxicab on an everyday run suddenly finds himself in the middle of the rain forest, where it is up to him to save the ecosystem from destruction.
Jack used to be the fastest, most admired taxi in the city. But his wheels are turning a bit slower these days. Mesmerized by an advertisement for Brazil, Jack suddenly drops off the edge of a bridge and lands smack-dab in the rain forest. A host of critters come out to greet him: monkeys, parrots, even a chameleon—which, of course, immediately turns checkered and yellow. Jack’s fun with the animals is cut short by three large excavators tearing a path through the forest. Jack commands them to stop and suggests that they follow him back to the city, where there are lots of construction sites. Magically, they are all transported back, where Jack believes it was all a dream. Or was it? Possibly due to a stilted translation, there is not much tension in the text. The environmental message falls flat due to the story’s arbitrary nature and bizarre ease with which Jack diverts the excavators. Luckily, the illustrations give added warmth. Pfister’s stamping technique (debuted in Questions, Questions, 2011) fills the fronds with texture and gives the monkeys an irrepressible fuzziness.
Taxi-loving readers will be happy since the tiny, yellow car is the hero, but it is a title a little too easily won. (Picture book. 4-8)Pub Date: March 1, 2013
ISBN: 978-0-7358-4111-6
Page Count: 32
Publisher: NorthSouth
Review Posted Online: Jan. 27, 2013
Kirkus Reviews Issue: Feb. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A validating and breathtaking next chapter of a Mother Goose favorite.
Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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