by Marcy Campbell ; illustrated by Corinna Luyken ‧ RELEASE DATE: Sept. 7, 2021
A valuable conversation starter.
When something bad is found on the wall in the girls’ bathroom at school, an entire class must learn what it means for their community.
A first-person narrator tells the tale of the day “the bad-something” was found on the wall. All the girls are called to the principal’s office. Mrs. Martínez asks them who did it and tells them that this will not be tolerated. The narrator and her friends sneak into the bathroom to see what was written, and seeing it makes them feel worse. Everyone finds out what the “bad-something” was (readers do not), and people begin to eye one another suspiciously, wondering who is guilty. Parents are affected, and the classroom dynamic is strained, but slowly, the school takes steps to remind the community that they are better than this incident. The children spend days making art on the wall. When they worry that the “bad-something” is still there under their beautiful contributions, they talk and write poems about how their painting has more good than bad in it, and so does the world. The honest, matter-of-fact narration places readers squarely in the shoes of the child in the troubled class and offers multiple ways to look at one’s roles in the world and in one’s communities. The smudgy, scratchy illustrations effectively use color and tone to convey mood, with realistically diverse characters and abstract representations of the joyful art they create. (This book was reviewed digitally.)
A valuable conversation starter. (author's note) (Picture book. 4-12)Pub Date: Sept. 7, 2021
ISBN: 978-0-7595-5742-0
Page Count: 48
Publisher: Little, Brown
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
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by Alan Gratz ‧ RELEASE DATE: Oct. 7, 2025
Fast-paced and plot-driven.
In his latest, prolific author Gratz takes on Hitler’s Olympic Games.
When 13-year-old American gymnast Evie Harris arrives in Berlin to compete in the 1936 Olympic Games, she has one goal: stardom. If she can bring home a gold medal like her friend, the famous equestrian-turned-Hollywood-star Mary Brooks, she might be able to lift her family out of their Dust Bowl poverty. But someone slips a strange note under Evie’s door, and soon she’s dodging Heinz Fischer, the Hitler Youth member assigned to host her, and meeting strangers who want to make use of her gymnastic skills—to rob a bank. As the games progress, Evie begins to see the moral issues behind their sparkling facade—the antisemitism and racism inherent in Nazi ideology and the way Hitler is using the competition to support and promote these beliefs. And she also agrees to rob the bank. Gratz goes big on the Mission Impossible–style heist, which takes center stage over the actual competitions, other than Jesse Owens’ famous long jump. A lengthy and detailed author’s note provides valuable historical context, including places where Gratz adapted the facts for storytelling purposes (although there’s no mention of the fact that before 1952, Olympic equestrian sports were limited to male military officers). With an emphasis on the plot, many of the characters feel defined primarily by how they’re suffering under the Nazis, such as the fictional diver Ursula Diop, who was involuntarily sterilized for being biracial.
Fast-paced and plot-driven. (Historical fiction. 9-12)Pub Date: Oct. 7, 2025
ISBN: 9781338736106
Page Count: 368
Publisher: Scholastic
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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