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LILAH

A FORBIDDEN LOVE, A PEOPLE’S DESTINY

Action-packed scripture.

An Old Testament love triangle: the final installment of Halter’s bestselling trilogy of Biblical heroines, this book features his brightest star.

The beauteous Lilah must make a choice: the alien warrior who inflames her heart’s desire or her ascetic brother, bowing his head before the harsh dictates of merciless law? Antinoes the Persian, his comely thigh branded with a javelin scar, returns from battling the Greeks to Susa, his empire’s capital, and pell-mell into the arms of Lilah. Halter (Zipporah, Wife of Moses, 2005, etc.) makes it easy to understand Antinoes’ haste: The Jewish prize is Woman—part wisdom goddess, part juicy squeeze. She flutters a lot, too, and is given to drama, sort of an exclamation point with breasts. The pair have been soulmates since toddling times in the shadow of the Citadel a “hundred cubits above the River Shaour.” Lilah’s brother Ezra had joined in their playtime, but now he’s the dour disciple of the dying Baruch, a sage who dreams of his people’s return to their Promised Land. Ezra will inherit the promise but load the vision with the intolerance of a zealot: No Persian, he swears, will wed his lovely sister. Artaxerxes II, Persia’s King of Kings, gives Ezra the go-ahead for his exodus. Hordes then move with him to Jerusalem, Lilah in tow, where he utters his final fanatic proclamation: In order to preserve racial purity, all non-Jewish wives and their children must be banished. Lilah swoons less and less as the story progresses, in the end emerging as a beacon light for a kinder, gentler Yaweh. Generous with period detail—tunics, oiled beards and statues of Ahura Mazda—the clean, moving story neatly balances religious meditation and swift plot.

Action-packed scripture.

Pub Date: June 27, 2006

ISBN: 1-4000-5281-5

Page Count: 352

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2006

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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