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A MINOR

A NOVEL OF LOVE, MUSIC AND MEMORY

An emotional story set to the music of Brahms, Tchaikovsky, and Chopin.

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A talented teenage musician explores romance, faith, and music in Philbrick’s (Everbloom, 2017, etc.) coming-of-age novel.

Clive Serkin is a 17-year-old piano prodigy and the son of Claude Serkin, the conductor of the Chicago Philharmonic. He’s bored with his “old, gray-haired, Bach obsessed piano teacher,” Saul Koussevitsky, so he begins taking lessons in secret with middle-aged, world-renowned pianist Clare Cardiff. She recently put her fast-paced, concert-driven life on hold and moved to Chicago after her abusive husband, Nero Cardiff, announced that he wanted them to take a break. As Clive’s romantic feelings for Clare grow, she begins to see him as the son she never had. His already excellent musicianship improves enough to gain him admittance to the Tchaikovsky Piano Competition in Russia. All the while, Clare grapples with memory lapses, and she’s later diagnosed with early-onset dementia. The diagnosis forces Clare to move back in with Nero, and Clive is left to perform in Moscow without his beloved teacher. Although the story begins with a familiar storyline—a talented child pushed too far by a parent’s dream—Philbrick, in clear prose, builds a story that breaks that mold. It does so with rich music history (including mentions of Clara and Robert Schumann’s relationship), nuanced characters (Nero uses his pottery skills to sculpt a child that he and Clare never had), religious themes, and a website that readers may visit to listen to specific pieces mentioned in the book. Clive and Clare’s “Love born on a bench” is delicately constructed; the two don’t do anything more than hold hands, but their intimacy is strong: “Clive drew close to her with romanticized desire. Her hand fit seamlessly in his as the black piano keys agree with the white ones.” Some scenes discussing religion feel preachy, but most add depth to the story and characters. In one scene, for example, Clare’s sister, Bethany, tells her, “All our lives have transcendent value”—and to Clare, that value is her music.

An emotional story set to the music of Brahms, Tchaikovsky, and Chopin.

Pub Date: May 30, 2014

ISBN: 978-1-938467-99-8

Page Count: 245

Publisher: Koehler Books

Review Posted Online: April 3, 2018

Kirkus Reviews Issue: May 1, 2018

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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