A multicultural tribute to the New York lockdown experience. Many parts are moving and/or funny; others, easy to skip.
A Decameron-esque storytelling collaboration with a Covid-19 premise.
Thirty-six authors contributed to this lively and predictably somewhat uneven work of fiction sponsored by and benefiting the Authors Guild Foundation, styled as an unclaimed manuscript found in New York’s lost property office. The narrative within is set on the rooftop of a Lower East Side “six-floor walk-up with the farcical name of the Fernsby Arms, a decaying crapshack tenement that should have been torn down long ago,” per the lively frame story penned by Douglas Preston in the persona of Yessenia Grigorescu, the building’s super. From a notebook left by her predecessor in the job, Yessie knows the tenants by evocative sobriquets: The Lady With the Rings, Amnesia, Eurovision, Hello Kitty, the Poet, Vinegar, and so forth. They come up to the roof at 7 p.m. to participate in the huzzah for health care workers, which was a nightly ritual during Manhattan’s lockdown, and then settle into the routine of sharing stories, each written by a different author. One is constantly flipping to the backmatter to see who wrote what; though not all authors are household names, plenty are—Emma Donoghue, Dave Eggers, Diana Gabaldon, John Grisham, Erica Jong, Tommy Orange, Scott Turow, Luis Alberto Urrea, Meg Wolitzer, and more—though it’s not always the big names who contribute the best work. Fortunately, Preston’s frame story keeps everything moving. Day One gets off to a rollicking start, with stories from Merenguero’s Daughter and The Therapist, actually Maria Hinojosa and Celeste Ng. Anchored in Dominican and Chinese culture, respectively, these stories introduce a theme of diversity that’s one of the joys of the book. There are ghost stories, a war story, many tales of betrayal and revenge, and a report on Shakespeare’s plague experience by scholar James Shapiro. Little to no information is provided about the process behind the book, how contributors were chosen, etc. Since celebrity-watching is part of the draw, that could have been fun.
A multicultural tribute to the New York lockdown experience. Many parts are moving and/or funny; others, easy to skip.Pub Date: Feb. 6, 2024
ISBN: 9780358616382
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 15, 2023
Kirkus Reviews Issue: Dec. 15, 2023
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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