by Margaret Chiu Greanias ; illustrated by Melissa Iwai ‧ RELEASE DATE: Oct. 1, 2023
Astute and adorable commentary on media representation.
A red panda notices that media is dominated by giant pandas.
One day, Red (an adorable red panda) and her friend Gee (an equally cute black-and-white giant panda) find a book about pandas. Red’s initial excitement turns to disappointment when she sees that the entire book is about giant pandas, with nary a red panda in sight. “Who wrote this anyway!?” she fumes. “Ohhhhhhh!” says Gee as they spot a giant panda’s author photo on the back flap. Red decides to write her own book about red pandas, but as the pair walk through the town, readers will notice all the giant panda merchandise (even red panda children have black-and-white dolls), including the bookstore display. “No one wants to read about red pandas,” Red concludes and tosses her half-finished book away. Later, the friends find a group of pandas crowded around her unfinished book. “That one looks just like me!” one red panda points out. They tell Red that they want and need this book, which inspires her to persevere. Greanias illustrates perfectly, in a way that children will intuitively understand, why it’s so crucial for everyone to see themselves depicted in media; Iwai’s lovable panda characters, rendered in colorful watercolor, pencil, and digital tools, are irresistible. A final joyful spread portrays a future in which both types of pandas are represented everywhere, and crayon-drawn endpapers show pages from Red’s book. (This book was reviewed digitally.)
Astute and adorable commentary on media representation. (Picture book. 4-8)Pub Date: Oct. 1, 2023
ISBN: 9781728265650
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
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PERSPECTIVES
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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