Astute and adorable commentary on media representation.
A red panda notices that media is dominated by giant pandas.
One day, Red (an adorable red panda) and her friend Gee (an equally cute black-and-white giant panda) find a book about pandas. Red’s initial excitement turns to disappointment when she sees that the entire book is about giant pandas, with nary a red panda in sight. “Who wrote this anyway!?” she fumes. “Ohhhhhhh!” says Gee as they spot a giant panda’s author photo on the back flap. Red decides to write her own book about red pandas, but as the pair walk through the town, readers will notice all the giant panda merchandise (even red panda children have black-and-white dolls), including the bookstore display. “No one wants to read about red pandas,” Red concludes and tosses her half-finished book away. Later, the friends find a group of pandas crowded around her unfinished book. “That one looks just like me!” one red panda points out. They tell Red that they want and need this book, which inspires her to persevere. Greanias illustrates perfectly, in a way that children will intuitively understand, why it’s so crucial for everyone to see themselves depicted in media; Iwai’s lovable panda characters, rendered in colorful watercolor, pencil, and digital tools, are irresistible. A final joyful spread portrays a future in which both types of pandas are represented everywhere, and crayon-drawn endpapers show pages from Red’s book. (This book was reviewed digitally.)
Astute and adorable commentary on media representation. (Picture book. 4-8)Pub Date: Oct. 1, 2023
ISBN: 9781728265650
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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