The legendary Lord Mayor of London’s story is here resurrected for a picture-book audience, the straightforward retelling receiving dramatic treatment. Dick Whittington is a resolute boy, alone in the world but determined to make something of himself, even to the point of giving up his beloved cat when it is his only thing to offer in trade when his master’s ship sails for Barbary. Hodges makes the most of the classic underdog-against-bully relationship Dick endures with his master’s cook, and when he shares his eventual riches with her, readers will cheer his good-heartedness. Equally well-established is the basis for Dick’s good deeds as Lord Mayor, his direct observations of London’s squalor as a boy leading him to ameliorate it as a man. The bells of Bow Church provide aural punctuation to the story, complementing Potter’s stylized ink-and-gouache illustrations, which present a series of tableaux, in the manner of a theatrical pageant. Dick wears his emotions on his sleeve, his despair at losing his cat writ just as large as his satisfaction at his ultimate success. An author’s note rounds out this happy foray into legend. (Picture book/folklore. 5-8)
Pub Date: May 15, 2006
ISBN: 0-8234-1987-8
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2006
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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