JOAN OF ARC

While Josephine Poole and Angela Barrett’s Joan of Arc (1998) focused on Joan as a saint, this spirited but reverent telling emphasizes Joan as a hero. In the little village of DomrÇmy, Joan did not learn to read or write, but she listened to stories of the saints’ great deeds, worked with her parents, and aided the sick. When St. Michael the Archangel first appeared to her in a great light, she was 13; he told her she would save France, and the people supported her, outfitting her with horse and armor, and a white banner with the golden lilies that symbolized the French king. All the highlights of Joan’s story are elegantly recounted here: her recognition of the king hidden in the crowd, her victory at OrlÇans, Charles’s coronation, her capture, abandonment, trial, and death by burning at the stake. Rayevsky’s drypoint and etching illustrations use the muted colors and sepia backgrounds of old prints; the simple, sinuous line and stylized faces are particularly evocative. His visual trope of a flowerlike flame in the fireplace of Joan’s home is startlingly recreated in the final image of Joan at the stake. (Picture book/biography. 6-10)