by Margaret Hodges & Margery Evernden & illustrated by David Frampton ‧ RELEASE DATE: April 30, 1993
Based on manuscripts of the late storyteller Cecile Cox Offill, this condensed rehearsal of the Matter of Britain quickly takes readers from the dragon fight over Snowden to the death of Lancelot. With the exception of Percival's tale (``When he seated himself and began to move the white chessmen, the red men moved of themselves. Three times they checkmated him. It came to him then that only magic could defeat him in this way''), the tone is one of high seriousness, a record of cloven heads and other knightly deeds in the service of destiny and, occasionally, good. A few personal details aside (Mordred's ``foxy smile and gimlet eyes''), characters are stylized and remote, and the story is much simplified; Lancelot never touches Guinevere, and everyone goes after the Holy Grail without the authors explaining what it is. Still, this does preserve the flavor and major themes of the Arthurian Legend, with some modern additions—``Take comfort,'' says the dying king. ``Fear nothing. Trust in yourselves and do the best that you may.'' An accessible introduction for readers intimidated by Howard Pyle's collections, and a fresh inspiration for storytellers. Illustrations not seen. (Folklore. 10-12)
Pub Date: April 30, 1993
ISBN: 0-684-19437-6
Page Count: 96
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: June 1, 2001
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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by Michael Morpurgo & illustrated by Michael Foreman ‧ RELEASE DATE: Nov. 1, 2006
“Hear, and listen well, my friends, and I will tell you a tale that has been told for a thousand years and more.” It’s not exactly a rarely told tale, either, though this complete rendition is distinguished by both handsome packaging and a prose narrative that artfully mixes alliterative language reminiscent of the original, with currently topical references to, for instance, Grendel’s “endless terror raids,” and the “holocaust at Heorot.” Along with being printed on heavy stock and surrounded by braided borders, the text is paired to colorful scenes featuring a small human warrior squaring off with a succession of grimacing but not very frightening monsters in battles marked by but a few discreet splashes of blood. Morpurgo puts his finger on the story’s enduring appeal—“we still fear the evil that stalks out there in the darkness . . . ”—but offers a version unlikely to trouble the sleep of more sensitive readers or listeners. (Fiction. 10-12)
Pub Date: Nov. 1, 2006
ISBN: 0-7636-3206-6
Page Count: 96
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2006
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