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LEAVING ORBIT

NOTES FROM THE LAST DAYS OF AMERICAN SPACEFLIGHT

One of those books you can’t put down, don’t want to finish, and won’t soon forget.

Beguiled at an early age by the Smithsonian National Air and Space Museum, Dean (English/Univ. of Tennessee; The Time It Takes to Fall, 2007) deftly chronicles the history of American spaceflight and what the end of the space program means for American culture.

The author structures her narrative around trips to the Kennedy Space Center in order to witness the final space shuttle launches. Seeking “to write about those places where the technical and emotional intersect,” Dean introduces readers to Florida’s Space Coast; the NASA technicians who work on the shuttles; and astronauts, avid space fans, and the locals whose livelihoods depend on the space agency. Like any great storyteller, the author weaves in numerous cultural, political, historical, literary, and personal threads, widening the story’s focus and enriching its texture. Dean notes that the style of writing known as creative nonfiction smoothly overlapped with the beginnings of American spaceflight in the 1960s. The author enlists the voices of such writers as Tom Wolfe, William Burrows, Norman Mailer and Oriana Fallaci for their insights into the saga of American space travel. Dean frequently reiterates her passion for the literature of spaceflight. “When I read all these books,” she writes, “I’m encountering other minds struggling with the same questions while walking the same landscape.” The author analyzes her struggles assembling her manuscript, providing useful insight into her creative process, and she includes her students’ remarkable ideas regarding the space program and its conclusion. Dean recounts the ruthless tactics of professional autograph seekers during a book signing by Buzz Aldrin and shows how Americans’ perceptions of space travel changed after the 1986 Challenger disaster. Throughout, the author’s stimulating prose enhances topics that at first glance might seem lacking in broad appeal—e.g., engineering issues or the politics of NASA’s perpetual underfunding.

One of those books you can’t put down, don’t want to finish, and won’t soon forget.

Pub Date: May 19, 2015

ISBN: 978-1-55597-709-2

Page Count: 320

Publisher: Graywolf

Review Posted Online: Feb. 28, 2015

Kirkus Reviews Issue: March 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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