It’s 5:10 on a Friday afternoon and Ellis, 17, has just come home after graduating from prep school. He’s walking through the streets reacquainting himself with his hometown and dreaming about the adventures he’ll have at university the following year when he runs into an old acquaintance who is about to launch him into the strangest and most eventful 24 hours of his life. Jackie Cattle, a few years older and a shady character, convinces Ellis to drive him to a party in a wealthy suburb, and as they crash the party, Ellis wonders what Jackie is up to. Jackie, true to his character, causes trouble at the party and eventually they leave, now joined by Ursa, Jackie’s sometime-girlfriend, and Leona, Ursa’s sister. They all head back to a rundown motel—the Land-of-Smiles—where the two girls, Jackie, and several others, including a 12-year-old and a baby, live in an arrangement that’s somewhere between a seedy commune and squatters’ digs. Ellis, the product of a conventional upbringing, has never seen anything like this living situation, and, while shocked and intrigued by the independence of its inhabitants, he’s glad he has a solid middle-class home to return to. Somewhere along the way, in the space of a few hours, Ellis has fallen head over heels in love with Leona and become embroiled in the intrigues of the Land-of-Smiles. By Saturday night, a mere 24 hours later, Ellis has been dead drunk, has careened through the streets in a car chase, has rescued a baby who has been kidnapped, and has realized that Leona is not destined to be the love of his life. In other words, his desire for a life-changing adventure has been amply met. Mahy wonderfully captures the voice of an adolescent in the character of Ellis, managing somehow to make what could have been an awful story into a work of art. Beautifully written, this is a novel that pulls one into its orbit from the very first page. (Fiction. YA)
Pub Date: Oct. 1, 2000
ISBN: 0-689-83884-0
Page Count: 208
Publisher: McElderry
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 15, 2000
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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