by Margaret Mahy & illustrated by Jonathan Allen ‧ RELEASE DATE: March 1, 1998
Mahy (Boom, Baby, Boom, Boom!, 1997, etc.) takes aim at weapons fixation in this madcap picture book. Mr. Appleby rejects his son Sam's pleas to make or buy him violent toys, although it means that both have to put up with sneers from well-armed neighbor Hacky Mackie and his father. Laden with marketplace purchases, the Applebys are standing in line behind the Mackies at the bank when in springs (literally, attached to his feet) Buckbounder the bank robber. The Mackies fall to their knees in terror, but Sam distractingly pops a balloon, his father jams a chocolate cake up Buckbounder's nose, and Sam administers the coup de grÉce with a flowerpot. The dazed robber is led off in cuffs, and the Applebys collect a big reward. This tale is not exactly a triumph of nonviolence, but offers the insight that pacifism does not equal helplessness; Allen's vigorous, broadly comic illustrations complement the no-frills story nicely. (Picture book. 6-8)
Pub Date: March 1, 1998
ISBN: 0-670-87697-6
Page Count: 32
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
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adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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by Helen Ketteman & illustrated by James Warhola ‧ RELEASE DATE: Nov. 1, 1997
A Cinderella parody features the off-the-wall, whang-dang Texas hyperbole of Ketteman (The Year of No More Corn, 1993, etc.) and the insouciance of Warhola, who proves himself only too capable of creating a fairy godcow; that she's so appealingly whimsical makes it easy to accept the classic tale's inversions. The protagonist is Bubba, appropriately downtrodden and overworked by his wicked stepdaddy and loathsome brothers Dwayne and Milton, who spend their days bossing him around. The other half of the happy couple is Miz Lurleen, who owns ``the biggest spread west of the Brazos.'' She craves male companionship to help her work the place, ``and it wouldn't hurt if he was cute as a cow's ear, either.'' There are no surprises in this version except in the hilarious way the premise plays itself out and in Warhola's delightful visual surprises. When Lurleen tracks the bootless Bubba down, ``Dwayne and Milton and their wicked daddy threw chicken fits.'' Bubba and babe, hair as big as a Texas sun, ride off to a life of happy ranching, and readers will be proud to have been along for the courtship. (Picture book/folklore. 6-8)
Pub Date: Nov. 1, 1997
ISBN: 0-590-25506-1
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1997
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