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THE TRICKSTERS

In a richly textured psychological ghost story set at the summer solstice and Christmas, New Zealand's two-time Carnegie-winner delivers another fascinating novel that defies summarization. When the Hamilton's large, extended family returns to their seaside house, Carnival's Hide, the younger children ritually report their arrival to Teddy Carnival, ghost of the builder's son, drowned three generations ago. A trio of brothers arrive claiming to be Carnival descendants; accepted at face value by most of the family, they are recognized by middle child and budding novelist Harry (Ariadne) as the ghosts of Teddy's multiple personalities—Ovid (mind, a master of metamorphoses); Hadfield (instinct—al one point he tries to rape Harry): and Felix (the heart, submerged in life but striving toward dominance in the course of the story; he and Harry fall in love). An array of other love relationships, both lifelong and transitory, are transformed during the tricksters' appearance: Harry, especially, moves from a childish romanticism to a more mature understanding, although she has always been the quiet observer who has understood the drama around her better than its participants. Mahy fills her stories with insights illumined by their contexts: "Have I made love with a ghost'?" . . ."It's what writers do, isn't it?" Her names are suggestive; her characters are as original and individual as any in print—bitchy eldest child Christobel Hamilton, manipulative charmer, is particularly vivid; it's she who learns that ". . .the real trick is to use the tricks, but never forget the truth"—because, in this spellbinding tapestry of people and ideas, mystery and concealed parentage, there are many more tricksters than the surprisingly corporeal ghosts.

Pub Date: March 1, 1989

ISBN: 0689829108

Page Count: 276

Publisher: Macmillan

Review Posted Online: May 3, 2012

Kirkus Reviews Issue: Feb. 15, 1987

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  • New York Times Bestseller

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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