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TURNABOUT

In this intriguing, thought-provoking, and certainly original novel, Amelia Lenore Hazelwood is 100 years old and living in a nursing home where the only thing she has to look forward to is death. Everything changes though when 50 of the nursing-home residents are selected to participate in a top-secret “unaging” experiment, labeled Project Turnabout. Using a special chemical, the old people will become younger and younger until they take a drug that will stop the de-aging process—then they will forever be that age. But there’s been a problem, and the drug designed to stop the process doesn’t work. Now Amelia and the others face de-aging until infancy and then, presumably, death. The story, told by Amelia as the process begins in the year 2000 and also as a 16-year-old (now nicknamed “Melly”) in 2085, follows Melly and her best friend Anny Beth’s attempts to find someone to take care of them as they revert to childhood and babyhood. The two friends run away to Amelia’s childhood home which, surprisingly, still stands and is inhabited by Melly’s great-great-great granddaughter, A.J. Hazelwood. Ironically, A.J., a reporter, has been researching Amelia’s life. Melly decides that A.J. is the best candidate to be her surrogate mother and they form a highly unusual family. As in some of her other work, Haddix (Among the Hidden, 1998, etc.) examines the role of an outsider navigating her way through an unfamiliar culture. She gets in a few good digs at some of the less savory aspects of American popular culture that only get worse as her fictional 21st century progresses. “ ‘Why is it,’ Anny Beth asks as the two watch TV, ‘that with everything else that’s improved in the last eighty years, TV news still stinks?’ ” The book raises philosophical questions that young-adult readers will sink their teeth into about the desirability of living longer lives than we do today, of the role of old people in our society, and about the ethics of medical experimentation. A fascinating concept engrossingly told. (Fiction. 11-16)

Pub Date: Oct. 1, 2000

ISBN: 0-689-82187-5

Page Count: 240

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2000

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THE GIVER

From the Giver Quartet series , Vol. 1

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...

In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.

As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)

Pub Date: April 1, 1993

ISBN: 978-0-395-64566-6

Page Count: 208

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1993

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ONCE UPON A BROKEN HEART

From the Once Upon a Broken Heart series , Vol. 1

A lushly written story with an intriguing heart.

After praying to a Fate for help, Evangeline discovers the dangerous world of magic.

When her father passes away, Evangeline is left with her cold stepmother and kind but distant stepsister, Marisol. Despite inheriting a steady trust in magic, belief in her late mother’s homeland of the mystical North (where fantastical creatures live), and philosophy of hope for the future, her dreams are dashed when Luc, her love, pledges to marry Marisol instead. Evangeline desperately prays to the Prince of Hearts, a dangerous and fickle Fate famed for his heart that is waiting to be revived by his one true love—and his potentially lethal kisses. The bargain they strike sends her on a dark and magical journey throughout the land. The writing style fluctuates from clever and original to overly verbose and often confusing in its jumble of senses. While the pervasive magic and concept of the Fates as a religious system add interest, other fantasy elements are haphazardly incorporated without enough time devoted to building a cohesive world. However, the themes of love, the power of story, family influence, and holding onto belief are well rounded and add depth. The plot contains welcome surprises, and the large cast piques curiosity; readers will wish more time was spent getting to know them. Evangeline has rose-gold hair and, like other main characters, reads as White; there is diversity among the fantasy races in this world.

A lushly written story with an intriguing heart. (map) (Fantasy. 12-16)

Pub Date: Sept. 28, 2021

ISBN: 978-1-250-26839-6

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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