When the Animals and the Birds square off for a soccer match, Bat decides that he wants to be on the winning side. But which one is that? The Animals look bigger and stronger, so Bat, showing off his teeth and fur, throws in his lot with them at first—but then switches when the Birds take over the lead. When the score changes again he tries to switch back, and gets thrown off both teams because “a good player sticks with the team . . . even when they are losing.” Off goes Bat to practice by himself, and to reflect on his values. Stylized but easily identifiable, the rubber-limbed animals in Nobati’s digitally generated illustrations sport team jerseys and dash energetically about a rustic pitch, showing a visual energy that reflects the author’s characteristically quick-cadenced telling. Joseph Bruchac’s Native American rendition, The Great Ball Game (1994), illustrated by Susan L. Roth, is the best known version of this tale, but MacDonald’s reworking is substantially different and based on antecedents from several continents and traditions. (source note) (Picture book/folktale. 6-8)
Pub Date: April 1, 2008
ISBN: 978-0-8075-0587-8
Page Count: 32
Publisher: Whitman
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2008
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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