Welcome wherever folk tales are popular.
MacDonald and the Whitmans offer an Appalachian version of “The Kind and the Unkind Girls.”
When kindly Bess is sent to fetch water from the Well-at-the-End-of-World, she politely greets the bear, mountain lion, wild boar, and three foxes she meets along the way, even washing the foxes’ faces as they request. In return they reward her. But when her ill-tempered sister, Tess, is sent, she behaves rudely; her repayment is quite different. Modern listeners may wonder if not having to go for water might not be a reward rather than a punishment, but the traditional tale is told smoothly and effectively, with a lively, folksy lilt. MacDonald and the Whitmans provide a clear explanation of their sources; they even suggest a tune for those reading aloud to use to sing Bess’ and Tess’ refrains. The text is set directly on Harvill’s stylized illustrations, mostly double-page spreads done with watercolor and cut-paper collage that use page turns effectively and show well. The animals’ facial expressions and body language reflect their reactions. Both sisters are white; Bess has curly, strawberry-blonde hair, while Tess has lank, brown hair. Endpapers with diamonds, gold coins, toads, and kernels of corn reflect the consequences of the girls’ behavior. MacDonald and the Whitmans previously collaborated on Teaching with Story (2013).
Welcome wherever folk tales are popular. (Picture book/folk tale. 4-8)Pub Date: April 15, 2017
ISBN: 978-1-945268-01-4
Page Count: 32
Publisher: Plum Street Publishers
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
A validating and breathtaking next chapter of a Mother Goose favorite.
Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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