A wide-ranging look at the realities of the South.
A Southerner examines a complicated region.
Since August 2015, Renkl has contributed essays about the South to the New York Times, reflecting on nature and the environment, politics and religion, social justice, family and community, and arts and culture. From her home in Nashville—“a blue dot in the red sea of Tennessee”—she writes perceptively of the region where she was born and raised (in Alabama), educated (in South Carolina), and settled. “All I can do,” she writes, “is try to make it clear that there is far more to this intricate region than many people understand.” Of the nearly 60 essays she has gathered in what she calls a “patchwork quilt” collection, some are journalistic, some polemical, and some frankly personal: her son’s marriage during the pandemic, for one, and a long-deferred visit to Graceland. In many, Renkl vividly evokes the lush natural beauty of the rivers, old-growth forests, “red-dirt pineywoods,” marshes, and coastal plains that she deeply loves. As she shows, that land is in peril. The Tennessee River is polluted with microplastics; habitat destruction threatens monarch butterflies; climate change alters the trajectory of migratory birds. Renkl reports on efforts to address these and other problems that beset the region, including opioid addiction, gun violence, and racism. In Tennessee, she writes, tactics to suppress votes include confiscating driver’s licenses, impeding mail-in ballots, and “disqualifying voter registration applications for specious reasons.” Later, she notes that “Election Law Journal ranked Tennessee forty-eighth in ease of voting” (ahead of Virginia and Mississippi). Nevertheless, Renkl finds hope for change. “I know that Southern hospitality is a real thing, and that it isn’t race contingent,” she writes. “I know how very many people here are fighting to make life safer and more equitable for everyone, even for those who keep voting to make life less safe and less fair for everyone else.”
A wide-ranging look at the realities of the South.Pub Date: Sept. 14, 2021
ISBN: 978-1-57131-184-9
Page Count: 304
Publisher: Milkweed
Review Posted Online: June 23, 2021
Kirkus Reviews Issue: July 15, 2021
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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