Vivid testimony of resilience and grit.
An homage to pathbreaking women.
Stohl, along with Stephens, producer and co-creator of the Women of Marvel podcast, and editor Schaefer have mined 800 pages of transcripts, 300 hours of interviews, and over 130 conversations to create a lively history of female artists, writers, editors, proofreaders, and colorists who forged their careers at Marvel. Bursting with anecdotes and illustrations—photos, drawings, comic book pages—the book traces the advent of women into what was then a domain of straight white men who assumed that females didn’t read comics, sci-fi, or fantasy. The women’s pluck, talent, and mutual mentorship , though, led to their rise from entry-level jobs to leadership positions. Although voices from a cast of 127 characters and contributors sometimes result in cacophony, more than a few emerge as major forces in the industry: Louise “Weezie” Simonson, for example, joined the Marvel editorial staff in 1980 and helped build the X-Men universe. She recruited new female talent—not because they were women, she said, but because they were “people who were good at what they did.” Kelly Sue DeConnick pitched the idea of a female Captain America: Captain Marvel. Recalling controversy about her concept of the superheroine’s costume, she had asked herself, “Is this a hill I’m going to die on, or am I just going to make progress?” She made progress, to be sure. The first issue of Captain Marvel sold out in 24 hours. Many women attest to being the only woman in the room; others, to being the only minority or woman of color. All, the authors found, “have made a habit of throwing open every door they can find, and, when they run out of doors, stocking up on dynamite to bring the walls down.”
Vivid testimony of resilience and grit.Pub Date: June 24, 2025
ISBN: 9781982134617
Page Count: 400
Publisher: Gallery 13/Simon & Schuster
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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