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CLEVER BEATRICE

A clever girl’s brains triumph over a giant’s brawn in this folktale from the northern US. Beatrice loves mental challenges and is a fast thinker, so when her family needs money, she is confident that the solution rests with the rich giant on the other side of the woods. The spunky girl walks right up to him and offers a bet that she can strike a blow harder than he can. He takes his turn, but then Beatrice tricks him into believing that she will destroy his door if she lets her fist fly. He declares her the winner without testing her. Twice more they bet on feats of strength, and each time the giant hands over his gold without Beatrice having to prove herself—he is that fearful of the amazing strength she claims to have. And in the end, both count themselves lucky—Beatrice that her family now has money to buy food and the giant that none of the things that Beatrice boasted of have befallen him. Readers will delight in the feisty Beatrice, a wonderful female role model who will let nothing stand in her way. Willey (Thanksgiving With Me, 1998, etc.) has crafted her tale so well that the reader can almost hear it being told by a storyteller around a crackling fire. Newcomer Solomon’s illustrations are a combination of watercolor backgrounds with details in collage. This style of illustrating makes the woodsy details of Northern Michigan pop out from the pages. Together, the author/illustrator team has created a heroine who proves that strength can mean much more than muscle power. (Picture book. 4-8)

Pub Date: Sept. 1, 2001

ISBN: 0-689-83254-0

Page Count: 40

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2001

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HOME

Visually accomplished but marred by stereotypical cultural depictions.

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 17, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE TROUBLE WITH CHILDREN (ACCORDING TO DOG)

This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.

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In Weaver’s charming picture book, a dog reassesses his not-so-glowing review of little kids.

“Families are OVERRATED!” as far as the bluish-gray hound named Dog is concerned. While he approves of the adults in the household, the four small children are for the birds. In an attempt to resolve his conflicted feelings, Dog pours his heart out to a therapist scribbling on a notepad. Dog lists his grievances via couplet rhymes: “And many times I’ve found their dirty toys INSIDE MY BOWL! / It’s obvious these little humans have no SELF-CONTROL!” With key words highlighted in colorful and bolded fonts for more emphasis, his voice now has added urgency. Soylu’s lively drawings in muted tones are wondrously effective in animating Dog; his hanging jowls, big eyes, and floppy ears all convey believably beleaguered expressions. Lifelike details enhance the dramatic effect of the children’s boisterous antics. At the end, Weaver provides a list of do’s and don’ts for interacting with pets. Dog lovers can identify the dog breed silhouettes on the endpapers. Kids will get a kick out of Dog’s opinion of humans and perhaps recognize some behaviors to reconsider.

This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.

Pub Date: July 16, 2024

ISBN: 9781736267370

Page Count: 40

Publisher: A Little Offbeat Publishing

Review Posted Online: April 26, 2024

Kirkus Reviews Issue: June 15, 2024

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