by Margaret Wise Brown ; illustrated by Greg Pizzoli ‧ RELEASE DATE: Feb. 5, 2020
Swoonworthy for train lovers and preschoolers alike.
First illustrated by Jean Charlot (1949) and then by Leo and Diane Dillon (2001) and now reimagined by Pizzoli, Brown’s enduring classic follows two distinct trains on their journeys west.
“Two little trains / went down the track, / two little trains went West. // PUFF PUFF PUFF / CHUG CHUG CHUG / two little trains to the West.” Over hills and through rain, snow, night, and wind, the trains—one a steam engine, the other a streamliner—travel. Brown uses onomatopoeia to punctuate the narrative while Pizzoli exploits it to differentiate the two locomotives. He makes every spread a visual play on contrasts, from the different train stylizations and type styles (sans serif for the streamliner’s “PUFF” and serif for the steam engine’s “CHUG”) to the complementary color palettes. The bold illustrations, created with rubber stamps and Photoshop, are done in a simplified style. Accessible, appealing, and understandable, both artwork and text are deceivingly simple, belying the sophisticated nature of each. Lively, rhythmic, and often rhyming text propels trains and readers down the tracks while evocative descriptions work within the confines of a few phrases per page. Skillfully designed and composed, Pizzoli’s cheerful interpretation is thoroughly modern and charming.
Swoonworthy for train lovers and preschoolers alike. (Picture book. 3-7)Pub Date: Feb. 5, 2020
ISBN: 978-0-06-267651-1
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 22, 2019
Kirkus Reviews Issue: Nov. 15, 2019
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: June 27, 2013
A comical, fresh look at crayons and color.
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Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color. (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
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SEEN & HEARD
SEEN & HEARD
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