A humorous take on a long-standing tactic for combating insomnia.
A wayward sheep changes how a boy falls asleep every night.
Everyone has their own personal flock of sheep to count in order to fall asleep. Mike’s sheep dutifully do their job—until one night, one member of the flock—Four—refuses to take her turn jumping over the imaginary fence. “I’m sick and tired of always doing the same thing.” As the hours pass and poor Mike remains wide awake, the other sheep continue to coax Four to “Jump! Jump! Jump!” Four stubbornly responds, “No! No! No!” Finally, a postman arrives on a bicycle and delivers a letter addressed to Four with an urgent plea from Mike. This prompts the mutinous sheep to “resolutely walk towards the fence.” With “a glorious leap,” she jumps “so high and far” that she eventually disappears. Mike finally drifts off and then never needs to count sheep again. “He’s been sleeping just fine.” How is Mike able to adjust after Four’s deliberate exodus? The final spread, depicting a little sheep cuddled up next to him in bed, offers a clue. Cartoon art outlined in black depicts green-dominated pasture scenes against white space offset by blue and dark gray tones for Mike’s sleepless setting, enhancing the amusing premise of this offbeat but heartening narrative, translated from Spanish. Mike has skin the nighttime blue of the page; the postman has skin the white of the page. (This book was reviewed digitally.)
A humorous take on a long-standing tactic for combating insomnia. (Picture book. 5-8)Pub Date: April 4, 2023
ISBN: 9788419253262
Page Count: 40
Publisher: NubeOcho
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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