A harmonious triumph.
A child hears music in every sound, however ordinary.
Eloísa loves music, but her family can’t afford a radio. So she sits by the window, “listening to la música that floated in from a neighbor’s house.” Other sounds surround Eloísa. Parrots and doves share “nature’s gentle serenades,” cats and dogs meow and bark, el lechero’s cow clip-clops, and a boy on a horse tap-taps past the window as she and her brother, Pepe, watch. It’s enough to make Eloísa run outside and dance—but she’s too shy. Outgoing Mamá would be dancing, but alas, she’s sick in bed with a fever; Papá goes in search of medicine. One sunny day, the neighborhood children gather near Eloísa’s window, maracas, claves, drums, and more in hand to create música. Heartened by the festive sounds, a recuperated Mamá rises from bed, aided by Eloísa, Papá, and Pepe, as music beckons from the street. Drawing from her mother’s childhood stories, Engle tells a tale of everyday inspiration, propelled by a lilting text that reverberates. Parra’s acrylic paint artwork uses warm colors and earth-toned landscapes to depict a Cuban neighborhood brimming with smiling, brown-skinned faces. An appended catalog succinctly traces the origins of Cuban musical instruments.
A harmonious triumph. (Picture book. 4-8)Pub Date: Aug. 27, 2024
ISBN: 9781665935289
Page Count: 40
Publisher: Atheneum
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on.
Mirth, magic, and mischief abound in this picture-book retelling of one of Shakespeare’s most famous plays.
Ariel, the beloved sprite whose conjurings precipitate the eponymous tempest, gets top billing in this adaptation and recounts the narrative in the first person. Through Ariel’s eyes, readers are introduced to the powerful Prospero, his lovely daughter, Miranda, and the shipwrecked nobles who are brought to the island to right an ancient wrong. Ellinas’ picture book largely divests the tale of its colonialist underpinnings and breathes three-dimensional complexity into the major and minor characters. Caliban, for instance, is monstrous due to his callous treatment of Ariel rather than because he is racially coded as savage. Another delightful change is the depiction of Miranda, who emerges as an athletic, spirited, and beautiful nature-child whose charms are understandably irresistible to Prince Ferdinand. The text is perfectly matched by Ray’s jaw-droppingly beautiful illustrations, which will enchant readers from the front cover to the final curtain. The greens of the waters and the blues of the island’s night sky are so lush and inviting that readers will wish they could enter the book. Peppered throughout the story are italicized fragments of Shakespeare’s dialogue, giving both young and older readers something to enjoy. Large, granite-colored Caliban is plainly nonhuman; the human characters present white; Ariel is a translucent, paper white.
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on. (Picture book. 4-8)Pub Date: April 7, 2020
ISBN: 978-1-5362-1144-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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