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ISLAND CREATURES

Fanciful, hopeful, and heartfelt.

Separated during childhood, two Cuban teen animal rescuers reunite unexpectedly.

Memories of adventures saving animals “in el monte, our green forest / with its aroma of cocoa” in the Guamuhaya Mountains of central Cuba haunt Vida and Adán, who were close before life forced them apart. A decade later, unbeknownst to either, both teens now live in South Florida. With her parents dead and her photojournalist abuela often absent, Vida lives in an empty home. Climate migrant Adán survives in a packed home brimming with violent tension between his father and abuelo. When Adán rescues a gray tree fox, his good deed leads to a chance reunion with Vida. The years apart, however, have brought change. Wary of men following a boarding school incident, Vida nurtures her burgeoning feminist consciousness; béisbol player Adán, who’s learning to be an ally, realizes that masculinity can be “a promise of kindness / that makes us strong / not weak.” Gradually, they rekindle their love while reinforcing their passion for helping endangered animals. But a rift between their families threatens to disrupt them anew. Moving fluidly between Vida’s pensive perspective and Adán’s anguished narration, Engle’s verse narrative boasts rich language steeped in nature’s spiritual beauty and the reciprocal connection between humans and animals. A sweet slow-burner with tight, evocative poems, this tale of adolescent love glows. Drifting into a carefree flight by the last page, Vida and Adán’s story ends as delicately as it began.

Fanciful, hopeful, and heartfelt. (author’s note) (Verse fiction. 12-18)

Pub Date: July 8, 2025

ISBN: 9781665959957

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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LONG WAY DOWN

This astonishing book will generate much-needed discussion.

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • Newbery Honor Book

After 15-year-old Will sees his older brother, Shawn, gunned down on the streets, he sets out to do the expected: the rules dictate no crying, no snitching, and revenge.

Though the African-American teen has never held one, Will leaves his apartment with his brother’s gun tucked in his waistband. As he travels down on the elevator, the door opens on certain floors, and Will is confronted with a different figure from his past, each a victim of gun violence, each important in his life. They also force Will to face the questions he has about his plan. As each “ghost” speaks, Will realizes how much of his own story has been unknown to him and how intricately woven they are. Told in free-verse poems, this is a raw, powerful, and emotional depiction of urban violence. The structure of the novel heightens the tension, as each stop of the elevator brings a new challenge until the narrative arrives at its taut, ambiguous ending. There is considerable symbolism, including the 15 bullets in the gun and the way the elevator rules parallel street rules. Reynolds masterfully weaves in textured glimpses of the supporting characters. Throughout, readers get a vivid picture of Will and the people in his life, all trying to cope with the circumstances of their environment while expressing the love, uncertainty, and hope that all humans share.

This astonishing book will generate much-needed discussion. (Verse fiction. 12-adult)

Pub Date: Oct. 17, 2017

ISBN: 978-1-4814-3825-4

Page Count: 320

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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HOUSE OF DRAGONS

From the House of Dragons series , Vol. 1

Witty and funny, with well-rounded characters who face complex inner moral issues.

In a world dominated by order, chaos threatens to upend tradition when unlikely competitors are chosen to fight for the throne.

Emperor Erasmus is dead, leaving the Great Dragon to decide the future of the Etrusian Empire. Traditionally, the oldest child from each of the five Houses and his or her dragon compete for the throne. However, this time outsiders are called to compete: Chara and her rider, Emilia, youngest daughter of House Aurun, who holds the magic of chaos; Tyche and her rider, Lucian, reformed warrior of House Sabel; Karina and her rider, Vespir, the lowborn, lesbian servant girl and dragon handler of House Pentri; Dog and his rider, Ajax, the wily illegitimate son of House Tiber; and Minerva and her rider, Julia, who are challenged by Hyperia, who believes the throne is her birthright, and her feral dragon, Aufidius. During the stages of the Emperor’s Trial—the Hunt, the Game, the Race, and the Truth—each competitor faces their own personal weaknesses. Multiple perspectives create depth in this complex fantasy world with flawed human characters who have murder, destruction, thievery, and cowardice in their backgrounds. Cluess’ dragons have unique personalities and voices of their own, becoming as central to the story as their human riders. Most characters are cued as white; blonde hair and blue eyes are valorized. Vespir’s lesbian identity is neatly and naturally woven into her character.

Witty and funny, with well-rounded characters who face complex inner moral issues. (map) (Fantasy. 12-16)

Pub Date: May 12, 2020

ISBN: 978-0-525-64815-4

Page Count: 448

Publisher: Random House

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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