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BONAPARTE FALLS APART

Both an entertaining spin on back-to-school jitters and an unusual look at service dogs

An elementary-age skeleton is afraid he won’t be able to maintain structural integrity at school.

Bonaparte, a friendly-looking skeleton with an oversized skull and red ball cap, has a problem: he just can’t keep it together—literally. Even such an apparently low-impact activity as a visit to the doctor results in a lost limb when his reflexes are tested. Worse than the inconvenience is the fact that it is sometimes very hard to find those lost bits. Bonaparte asks his pals for help. Franky Stein tries to bolt and glue him together, but he’s too stiff to walk. Blacky Widow spins a web around him, but then he’s hopelessly tangled. Mummicula wraps him securely, but then Bonaparte can’t see. But when his friends spy a dog running by with a bone in his mouth, they realize he can be trained to retrieve Bonaparte’s fallen parts. Mandible proves to be both an invaluable help and a hit with all the kids. Terry’s illustrations feature frankly adorable monsters, large heads and eyes combining with very small mouths to make them look as harmless and childlike as possible (though Blacky Widow’s fangs are still rather prominent). He positions his characters in vignettes on white space; when more-complicated backgrounds are introduced, they are rendered in muted colors.

Both an entertaining spin on back-to-school jitters and an unusual look at service dogs . (Picture book. 4-8)

Pub Date: Aug. 22, 2017

ISBN: 978-1-101-93768-6

Page Count: 40

Publisher: Crown

Review Posted Online: May 14, 2017

Kirkus Reviews Issue: June 1, 2017

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CREEPY CRAYON!

From the Creepy Tales! series

Chilling in the best ways.

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When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.

Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)

Chilling in the best ways. (Picture book. 4-7)

Pub Date: Aug. 23, 2022

ISBN: 978-1-5344-6588-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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