by Margery Williams & illustrated by Gennady Spirin ‧ RELEASE DATE: Feb. 1, 2011
Precious as the language sounds to modern ears (the term “nursery magic” alone will likely set the eyes of even preliterate listeners to rolling), Williams’ 1922 classic remains a read-aloud standard thanks to the way big themes of life, death and change weave through its seemingly small and largely familiar domestic events. In this sumptuous unabridged edition, Spirin plays to his strengths. Visual grace notes enclose every block of text within open borders composed of finely drawn, Art Nouveau–style curlicues and tiny, naturalistic floral arrangements. These give way to full-page or full-spread close-up views of a flaxen-haired lad with a distant gaze, a treasure house of upscale antique toys rendered in painstaking detail, a winged Fairy dripping flowers and posed in languid, Botticelli curves and a homely, increasingly grubby bunny that is transformed in the final scenes to a live rabbit bursting with lithe, long-limbed vitality. Rendered in semitransparent watercolor and colored pencil, the art has an ethereal look that misses out on the warm intimacy Michael Hague brought to his interpretation (1983; reprinted in 2008), but for technical accomplishment and stateliness overmatches Monique Felix’s similarly formal pictures (1994) or the plethora of less-memorable versions. (Picture book. 6-9)
Pub Date: Feb. 1, 2011
ISBN: 978-0-7614-5848-7
Page Count: 48
Publisher: Marshall Cavendish
Review Posted Online: Jan. 8, 2011
Kirkus Reviews Issue: Jan. 15, 2011
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by Margery Williams & retold by Komako Sakai & illustrated by Komako Sakai & translated by Yuki Kaneko
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by Kwame Alexander & illustrated by Tim Bowers ‧ RELEASE DATE: Sept. 1, 2011
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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by Kwame Alexander & Randy Preston ; illustrated by Melissa Sweet
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by Kwame Alexander & Deanna Nikaido ; illustrated by Melissa Sweet
by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Nov. 4, 2014
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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by Mo Willems ; illustrated by Mo Willems
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