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THE VELVETEEN RABBIT

It would be almost impossible to ruin Margery Williams’ heartbreaking story of a toy rabbit who wants to be “Real” and is loved so much by a little boy that “all the pink rubbed off his nose where the Boy had kissed him.” But app developer Ruckus Media Group comes close with a lazy adaptation that includes a 24-minute video version narrated by Meryl Streep. The video was released in 1985, back when some might have thought the British accent Streep employs might be real. Despite its star power, the video looks dated and jagged on the iPad screen. Readers have a choice of watching the video, with pans and zooms across still images accompanied by a lovely piano soundtrack, or reading the text version, which lacks narration by Streep or anyone else and whose illustrations are lifted from the video (which was based on the book illustrated by David Jorgensen in 1985). The drawings are soft and dreamy. Text floats into the frame, often on its own page, as if the app’s designers couldn’t reconcile the story and imagery in a more efficient manner. At 112 pages, it’s a lot of swiping; it’s hard to imagine a parent will be able to keep a young listener enthralled for that long without Streep’s help. At least there’s a way to practice: Readers can record their own narration with the app. One last insult: A button to “Buy the Book” leads to a web page filled with children’s books, none of which is a print version of The Velveteen Rabbit. This app isn’t reimagined or restored, it’s simply recycled. (iPad storybook app. 3-10)

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Dec. 22, 2010

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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DR. SEUSS'S HOW THE GRINCH LOST CHRISTMAS!

It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.

Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.

Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)

It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)

Pub Date: Sept. 5, 2023

ISBN: 9780593563168

Page Count: 40

Publisher: Random House

Review Posted Online: Aug. 15, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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