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TINTINNABULA

A moving portrayal of resilience that pairs exquisite free verse with evocative, richly textured drawings.

Open-ended text and illustrations allow for infinite readings while maintaining deep feeling in Lanagan’s (The Brides of Rollrock Island, 2012, etc.) debut picture book.

The door-shaped cutout in the front cover leads readers directly into landscape-patterned endpapers and frontmatter, while the extra-large trim size heightens the intensity of Cai’s initial illustrations, which are dominated by dark red skies, gigantic, black, four-legged creatures that chase a small human figure, and jagged-edged architectural debris. These dramatic scenes slowly give way to lighter, softer-hued, sprawling landscapes accented with white as the pale-skinned narrator describes her own personal haven called Tintinnabula. There, she says, “soft rains fall and silver, / …soft bells ring and sweetly, / distantly, melancholically.” The narrator’s movement from “times of drought and wind… / and stress and argument, / … / and…times of fear” to “green, breathing, grassy hills” reaches a transitional moment in a spread in which the jagged, ruined stonework and four-legged creatures appear distant, fading into negative space as a sequence of vignettes offers glimpses of the narrator’s progress toward a lush green land filled with trees—and fewer man-made structures. Readers will be left wondering: Does she physically travel, or is this an internal, emotional journey? What—and where—is she traveling away from? Can, or will, others join her?

A moving portrayal of resilience that pairs exquisite free verse with evocative, richly textured drawings. (Picture book. 6-12)

Pub Date: Oct. 1, 2018

ISBN: 978-1-74297-525-2

Page Count: 24

Publisher: Little Hare/Trafalgar

Review Posted Online: Aug. 13, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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BEATRICE ZINKER, UPSIDE DOWN THINKER

From the Beatrice Zinker, Upside Down Thinker series , Vol. 1

A kind child in a book for middle-grade readers? There’s no downside to that.

Beatrice Zinker is a kinder, gentler Judy Moody.

Beatrice doesn’t want to be fit in a box. Her first word was “WOW,” not “Mom.” She does her best thinking upside down and prefers to dress like a ninja. Like Judy Moody, she has patient parents and a somewhat annoying younger brother. (She also has a perfectly ordinary older sister.) Beatrice spends all summer planning a top-secret spy operation complete with secret codes and a secret language (pig Latin). But on the first day of third grade, her best friend, Lenny (short for Eleanor), shows up in a dress, with a new friend who wants to play veterinarian at recess. Beatrice, essentially a kind if somewhat quirky kid, struggles to see the upside of the situation and ends up with two friends instead of one. Line drawings on almost every spread add to the humor and make the book accessible to readers who might otherwise balk at its 160 pages. Thankfully, the rhymes in the text do not continue past the first chapter. Children will enjoy the frequent puns and Beatrice’s preference for climbing trees and hanging upside down. The story drifts dangerously close to pedantry when Beatrice asks for advice from a grandmotherly neighbor but is saved by likable characters and upside-down cake. Beatrice seems to be white; Lenny’s surname, Santos, suggests that she may be Latina; their school is a diverse one.

A kind child in a book for middle-grade readers? There’s no downside to that. (Fiction. 6-10)

Pub Date: Sept. 19, 2017

ISBN: 978-1-4847-6738-2

Page Count: 160

Publisher: Disney-Hyperion

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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