It’s hard to resist using the word “symphonic” to describe this exquisitely composed, piercingly moving story. De Moor...
This fifth translated novel from the Dutch classical singer-turned-novelist (The Kreutzer Sonata, 2005, etc.) offers a moving dramatization of a historical catastrophe which bears disturbing resemblances to recent global occurrences.
In the winter of 1953, hurricane-driven flood waters rushing in from the North Sea destroyed dikes and obliterated an entire province in the southwestern Netherlands—a territory which “lay embedded between two arms of the sea that did what arms usually do: they move.” De Moor observes this disaster from the juxtaposed viewpoints of two sisters—young wife and mother Lidy and her virginal younger sibling Armanda. When Armanda offers to take Lidy’s two-year-old daughter Nadja to a party, in exchange for Lidy’s appearance at a similar event held for Armanda’s godchild—for the sisters resemble each other so closely, few people can tell them apart—they also exchange destinies. Lidy travels to the imminently endangered seaside town of Zierkezee, while Armanda becomes companion for the day to Nadja and her father (and Lidy’s husband) Sjoerd. De Moor’s laconic, precisely descriptive prose (memorably captured in Janeway’s pristine translation) pinpoints numerous indications of what is to come (e.g., the curious phenomenon of hares running alongside cars on a well-traveled highway) and what later occurs (e.g., the sighting of “a farmhouse that…no longer stood in the middle of fields or meadows but in an ocean current”). As Lidy’s ordeal, presented in piecemeal fragments of hard-won momentary stays against extinction, approaches its end, Armanda, Sjoerd and Nadja—both during the storm and for years afterward—grasp at whatever forms of enduring and persevering rise up before them. And de Moor brings this harrowing story to a stunning climax, as Armanda, an old woman kept alive by little more than her memories, in effect dreams a long conversation with the beloved sister whose life she has inadvertently appropriated and whose sufferings she has grown and learned to share.
It’s hard to resist using the word “symphonic” to describe this exquisitely composed, piercingly moving story. De Moor continues to scale increasingly impressive heights.Pub Date: March 12, 2010
ISBN: 978-0-307-26494-7
Page Count: 272
Publisher: Knopf
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: March 15, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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