It’s hard to resist using the word “symphonic” to describe this exquisitely composed, piercingly moving story. De Moor...
This fifth translated novel from the Dutch classical singer-turned-novelist (The Kreutzer Sonata, 2005, etc.) offers a moving dramatization of a historical catastrophe which bears disturbing resemblances to recent global occurrences.
In the winter of 1953, hurricane-driven flood waters rushing in from the North Sea destroyed dikes and obliterated an entire province in the southwestern Netherlands—a territory which “lay embedded between two arms of the sea that did what arms usually do: they move.” De Moor observes this disaster from the juxtaposed viewpoints of two sisters—young wife and mother Lidy and her virginal younger sibling Armanda. When Armanda offers to take Lidy’s two-year-old daughter Nadja to a party, in exchange for Lidy’s appearance at a similar event held for Armanda’s godchild—for the sisters resemble each other so closely, few people can tell them apart—they also exchange destinies. Lidy travels to the imminently endangered seaside town of Zierkezee, while Armanda becomes companion for the day to Nadja and her father (and Lidy’s husband) Sjoerd. De Moor’s laconic, precisely descriptive prose (memorably captured in Janeway’s pristine translation) pinpoints numerous indications of what is to come (e.g., the curious phenomenon of hares running alongside cars on a well-traveled highway) and what later occurs (e.g., the sighting of “a farmhouse that…no longer stood in the middle of fields or meadows but in an ocean current”). As Lidy’s ordeal, presented in piecemeal fragments of hard-won momentary stays against extinction, approaches its end, Armanda, Sjoerd and Nadja—both during the storm and for years afterward—grasp at whatever forms of enduring and persevering rise up before them. And de Moor brings this harrowing story to a stunning climax, as Armanda, an old woman kept alive by little more than her memories, in effect dreams a long conversation with the beloved sister whose life she has inadvertently appropriated and whose sufferings she has grown and learned to share.
It’s hard to resist using the word “symphonic” to describe this exquisitely composed, piercingly moving story. De Moor continues to scale increasingly impressive heights.Pub Date: March 12, 2010
ISBN: 978-0-307-26494-7
Page Count: 272
Publisher: Knopf
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: March 15, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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