A slim memoir of a revitalizing love affair, overwhelmed by intellectual overkill. Ill, drinking too much, and unable to write, noted French author Duras was spending her time holed up in her apartment on the French coast until a chance correspondence with Yann Andrea Steiner, 36 years younger than herself, turned into a restorative affair when the young man visited her in the summer of 1980. Here- -recalling elliptically the details of their meetings, their living together, and their conversations, and creating a long fable that encompasses many of her favorite themes, including the Holocaust, the anarchy of passion, and the tragedies of childhood—Duras expresses gratitude for Steiner's restoring her health and her art, for being ``the voice of my life.'' The fable—which forms the major part of the text—was inspired by watching a group of children and their camp counselors on the beach, as well as by Steiner's inquiries about Theodora Kats, inspiration for a book that Duras had abandoned writing ``after thinking for years [that she] could write it.'' The mystery of Kats—a woman dressed all in white who was seen watching at a station as trains rolled by on their way to the concentration camps, and who may have been shot by the Germans or may have escaped to Switzerland—shadows Duras's fable. That fable itself concerns a six-year-old boy playing on the beach and in love with his counselor, who tells him stories of a mysterious fountain that must die. The fable is fraught with symbols, weighty messages, and an arch pretentiousness that ultimately renders it banal rather than significant. Thin, despite all the heavy stuffing. For die-hard Duras fans only.
Pub Date: Oct. 1, 1993
ISBN: 0-684-19590-9
Page Count: 128
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1993
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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