Good clean fun.
From spilled motor oil to sprayed water, everyone makes a mess.
The repeated phrase “Who is making a mess?” finds everyone from Grandpa to the baby involved in the untidiness. The marriage of D’Haene’s text with Ryan’s illustrations invites readers to guess who’s made each mess based on the images. The purposefully vague initial depiction of the culprit often challenges readers’ assumptions of who has left each smear or heap of debris. For example, the opening illustration shows a denim-clad someone changing the oil in a car, legs poking out from underneath. A turn of the page reveals that it is Mama making that mess while her partner or spouse (gender is unclear) wrangles the little ones. Other scenes—Grandpa baking while wearing an apron and with a baby in a back carrier—play out similarly. The diverse cast includes same-sex parents, interracial families, and many children and adults of color. The repetition of D’Haene’s question-and-answer structure makes it nicely predictable for little readers, with familiarity quicker to build upon repeat readings. Ryan’s illustrations feel alive thanks to the motion of the mess itself, with flying blobs of batter, juicy drips of food, and sprinkles of grease and oil. Charming details provide plenty for readers to pore over each page, and the deep orange, red, and golden yellow tones give the book warmth.
Good clean fun. (Board book. 1-3)Pub Date: Feb. 25, 2020
ISBN: 978-1-68152-503-7
Page Count: 16
Publisher: Amicus Ink
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: March 15, 2020
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday.
Animal parents declare their love for their offspring in alphabetical order.
Each page displays an enormous capital letter, one line of verse with the keyword capitalized, and a loving nonhuman parent gazing adoringly at their baby. “A is for Always. I always love you more. / B is for Butterfly kisses. It’s you that I adore.” While not named or labelled as such, the A is also for an alligator and its hatchling and B is for a butterfly and a butterfly child (not a caterpillar—biology is not the aim of this title) interacting in some way with the said letter. For E there are an elephant and a calf; U features a unicorn and foal; and X, keyed to the last letter of the animal’s name, corresponds to a fox and three pups. The final double-page spread shows all the featured creatures and their babies as the last line declares: “Baby, I love you from A to Z!” The verse is standard fare and appropriately sentimental. The art is cartoony-cute and populated by suitably loving critters on solid backgrounds. Hearts accent each scene, but the theme of the project is never in any doubt.
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday. (Board book. 1-3)Pub Date: Dec. 1, 2020
ISBN: 978-1-7282-2095-6
Page Count: 28
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Guess how much you’ll be reading this.
Parent and child share a day of small adventures and cozy snuggles.
That the two happen to be tortoises is totally beside the point. Die-cut holes and shaped edges turn nearly every page flip into a surprise. Following a parental “Good morning, Baby” to greet the youngling’s “Wake up, wake up, I want to play… / The sun is up, it’s a brand new day!” the two reptiles ramble off to munch on leaves, weather a sudden rain shower, discover a flock of butterflies, climb a hill, watch the moon rise, and, at last, weary little one perched on top, settle down to snooze again. The paper engineering is ingenious. Turning a seemingly arbitrarily shaped page with a special window framing a pink butterfly fills the spread with many jewel-toned insects; even though the tortoises never change position, the scene is completely transformed. Hegarty’s rhymed narrative features lots of tender sentiments—“Wherever you are, wherever you go, / Baby, I’ll always love you so”—while steering clear of any gender references. In Elliott’s peaceful, grassy settings the wanderers’ small smiles and shared glances likewise create a sense of loving intimacy. This is likely to become a victim of its own appeal, being as the paper stock is rather too flimsy to survive much contact with toddler hands. Still, a clear winner for sharing with audiences of one or dozens.
Guess how much you’ll be reading this. (Novelty. 18 mos.-3)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-3509-7
Page Count: 32
Publisher: Sourcebooks Wonderland
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
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