by María José Ferrada ; illustrated by Ana Penyas ; translated by Elisa Amado ‧ RELEASE DATE: Oct. 27, 2020
Specific yet universal in its narration, this makes the refugee experience accessible to young readers.
On May 27, 1937, 456 children were evacuated from Spain during the Spanish Civil War. This book depicts their trans-Atlantic voyage to Mexico.
Text and illustrations work hand in hand to tell their story. Adults carrying bundles and escorting children arrive at the port where the children are to embark. As the children board, the adults hug them tight. Through the voice of one of the children, readers learn of their fears and expectations. They see the older ones reassuring the younger ones, especially at night. They observe their songs and games, sad re-creations of the war scenes they have witnessed. They experience the voyage, which never seems to end. And finally the children arrive: “We move forward. We think that the war stayed behind. But it’s not true—we bring the war in our suitcases.” By focusing on the children (all depicted as White) and their feelings, the story of their journey becomes the sad, universal one of so many refugee children past and present. Sepia-toned images with the occasional touch of muted reds convey the grimness of the experience. The afterword informs readers the children arrived in Mexico with the expectation their stay would be short and they would soon reunite with their families back home. Little did they know this would be a permanent exile, and most of them would never see their families again.
Specific yet universal in its narration, this makes the refugee experience accessible to young readers. (Picture book. 6-10)Pub Date: Oct. 27, 2020
ISBN: 978-0-8028-5545-9
Page Count: 40
Publisher: Eerdmans
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by Suzy Kline ; illustrated by Amy Wummer ‧ RELEASE DATE: Nov. 27, 2018
A fitting farewell, still funny, acute, and positive in its view of human nature even in its 37th episode.
A long-running series reaches its closing chapters.
Having, as Kline notes in her warm valedictory acknowledgements, taken 30 years to get through second and third grade, Harry Spooger is overdue to move on—but not just into fourth grade, it turns out, as his family is moving to another town as soon as the school year ends. The news leaves his best friend, narrator “Dougo,” devastated…particularly as Harry doesn’t seem all that fussed about it. With series fans in mind, the author takes Harry through a sort of last-day-of-school farewell tour. From his desk he pulls a burned hot dog and other items that featured in past episodes, says goodbye to Song Lee and other classmates, and even (for the first time ever) leads Doug and readers into his house and memento-strewn room for further reminiscing. Of course, Harry isn’t as blasé about the move as he pretends, and eyes aren’t exactly dry when he departs. But hardly is he out of sight before Doug is meeting Mohammad, a new neighbor from Syria who (along with further diversifying a cast that began as mostly white but has become increasingly multiethnic over the years) will also be starting fourth grade at summer’s end, and planning a written account of his “horrible” buddy’s exploits. Finished illustrations not seen.
A fitting farewell, still funny, acute, and positive in its view of human nature even in its 37th episode. (Fiction. 7-9)Pub Date: Nov. 27, 2018
ISBN: 978-0-451-47963-1
Page Count: 80
Publisher: Viking
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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by Suzy Kline & illustrated by Frank Remkiewicz
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