With meticulous research and a facility for storytelling, Konnikova makes this intriguing topic absolutely riveting.
What makes a con artist, and why are we duped by them? New Yorker columnist Konnikova (Mastermind: How to Think Like Sherlock Holmes, 2013) takes us deeply into the art and psychology of the con game.
They are known as "confidence artists," a term first applied in 1849 to William Thompson, who befriended New York passers-by before asking them, "Have you confidence in me to trust me with your watch until tomorrow?" The con game existed long before Thompson (or Manhattan, for that matter), and it continues today in Ponzi schemes, e-ticket scams, and missives from Nigerian princes. Konnikova dissects the con into its component stages, illustrating each with accounts of con artists whose mastery made them legend and sent their victims to the poorhouse: Cassie Chadwick, who for years posed as the illegitimate daughter of Andrew Carnegie; Greenwich Village psychic Sylvia Mitchell, who cleaned out customers' bank accounts as "Zena the Clairvoyant"; Victor Lustig, the man who twice sold the Eiffel Tower; and many more. She reveals the inner workings of well-known cons and provides insight into techniques such as information priming and the Marc Antony gambit. Konnikova studies the psychology of both the grifter and the mark, laying bare what makes each well-suited for the roles they play in the confidence game. In uncovering the characteristics of a con artist, the author points to a "dark triad" of traits: psychopathy, narcissism, and Machiavellianism. She examines the roots of both deception and trust, and she explores a range of behaviors and attributes that include the chameleon effect (why Dale Carnegie's treatise on winning friends and influencing people is "a sort of unwitting bible for cons in training"), the inherent human belief in positive outcomes, and the sunk-cost fallacy, a tendency that keeps us clinging to an investment despite glaring signs that we should walk away.
With meticulous research and a facility for storytelling, Konnikova makes this intriguing topic absolutely riveting.Pub Date: Jan. 12, 2016
ISBN: 978-0-525-42741-4
Page Count: 352
Publisher: Viking
Review Posted Online: Oct. 3, 2015
Kirkus Reviews Issue: Oct. 15, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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