Quiet, concise language and poignant watercolor illustrations pull readers into this far-out fable about a friendship...
Two lumpy stuffed animals pack up a red balloon, wave goodbye to their potted pet cactus and set sail in a paper hat to find the end of the world—a place they hope has enough lemons for an endless supply of lemonade and a staircase to the moon!
Quiet, concise language and poignant watercolor illustrations pull readers into this far-out fable about a friendship between a toy elephant (Hopper) and a yellow mouse (Wilson). Children will immediately like these two funny little guys, whose exposed stitching make them seem both Velveteen and vulnerable. They’ll also fall for the book’s soothing cadence and rolling rhythms. Simple sentences beat up against gestural artwork like small waves on a ship’s bow. Sensitive line work and atmospheric washes of cool colors communicate the depth of Hopper and Wilson’s friendship and their shared despair when a storm separates them at sea. A frightening spread of the two caught in mammoth, murky waves causes trembles; a chilling, misty sequence of lonely Wilson calling hoarsely for his buddy brings tears. The reunion is inevitable and immensely moving. Hopper, a small, blurry smudge far, far away, shouts from an entire page of white space, “Wilson, is that you?” Winsomely ambiguous and otherworldly, this sweet, quirky story offers fantastic footholds for dizzying discussion. (Picture book. 4-12)Pub Date: May 12, 2011
ISBN: 978-0-399-25184-9
Page Count: 40
Publisher: Philomel
Review Posted Online: May 3, 2011
Kirkus Reviews Issue: May 15, 2011
Thought-provoking and charming.
A sophisticated robot—with the capacity to use senses of sight, hearing, and smell—is washed to shore on an island, the only robot survivor of a cargo of 500.
When otters play with her protective packaging, the robot is accidently activated. Roz, though without emotions, is intelligent and versatile. She can observe and learn in service of both her survival and her principle function: to help. Brown links these basic functions to the kind of evolution Roz undergoes as she figures out how to stay dry and intact in her wild environment—not easy, with pine cones and poop dropping from above, stormy weather, and a family of cranky bears. She learns to understand and eventually speak the language of the wild creatures (each species with its different “accent”). An accident leaves her the sole protector of a baby goose, and Roz must ask other creatures for help to shelter and feed the gosling. Roz’s growing connection with her environment is sweetly funny, reminiscent of Randall Jarrell’s The Animal Family. At every moment Roz’s actions seem plausible and logical yet surprisingly full of something like feeling. Robot hunters with guns figure into the climax of the story as the outside world intrudes. While the end to Roz’s benign and wild life is startling and violent, Brown leaves Roz and her companions—and readers—with hope.
Thought-provoking and charming. (Science fiction/fantasy. 7-11)Pub Date: April 5, 2016
ISBN: 978-0-316-38199-4
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
SEEN & HEARD
BOOK TO SCREEN
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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