by Maria van Lieshout ; illustrated by Maria van Lieshout ‧ RELEASE DATE: Nov. 7, 2017
Here’s hoping for many more titles in this excellent series.
A companion to Bye-Bye Binky and I Use the Potty (both 2016) aims to help little kids take charge of big feelings.
The cover art, rendered digitally in a limited palette of coral, brown, black, and white, contradicts the title right off the bat, as it depicts a child of color with light brown skin and shoulder-length, black, straight hair in midtantrum, her mouth agape, limbs rigid, eyes screwed tight, and tears shooting outward. The first-person text looks back to “When I was little and I didn’t get my way, I cried.” An accompanying series of pictures shows her making demands in various stages of a tantrum. She really loses control when her father, depicted with similar coloring and short, black hair, denies her a cupcake. At the height of her fit, the text shifts to the present tense and asks, “Do I still throw tantrums?” This prompts a page turn that signals how she’s found ways to calm herself, since “BIG KIDS DON’T THROW TANTRUMS.” She “take[s] a little break,” she takes deep breaths in and out, or she might get a hug from her dad. When he tells her again that she must wait for a cupcake, she good-naturedly says “A BIG KID’s gotta try!” A satisfying vignette in the backmatter note to caregivers shows her rewarded with a treat after all.
Here’s hoping for many more titles in this excellent series. (Picture book. 2-4)Pub Date: Nov. 7, 2017
ISBN: 978-1-4521-6289-8
Page Count: 24
Publisher: Chronicle Books
Review Posted Online: Aug. 26, 2017
Kirkus Reviews Issue: Sept. 15, 2017
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by Maria van Lieshout ; illustrated by Maria van Lieshout
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by Audrey Penn ; illustrated by Barbara L. Gibson ‧ RELEASE DATE: April 1, 2014
Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original...
A sweetened, condensed version of the best-selling picture book, The Kissing Hand.
As in the original, Chester Raccoon is nervous about attending Owl’s night school (raccoons are nocturnal). His mom kisses him on the paw and reminds him, “With a Kissing Hand… / We’ll never be apart.” The text boils the story down to its key elements, causing this version to feel rushed. Gone is the list of fun things Chester will get to do at school. Fans of the original may be disappointed that this board edition uses a different illustrator. Gibson’s work is equally sentimental, but her renderings are stiff and flat in comparison to the watercolors of Harper and Leak. Very young readers will probably not understand that Owl’s tree, filled with opossums, a squirrel, a chipmunk and others, is supposed to be a school.
Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original shouldn’t look to this version as replacement for their page-worn copies. (Board book. 2-4)Pub Date: April 1, 2014
ISBN: 978-1-933718-77-4
Page Count: 14
Publisher: Tanglewood Publishing
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: July 1, 2014
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by Audrey Penn ; illustrated by Barbara L. Gibson
by Audrey Penn & illustrated by Barbara L. Gibson
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by David LaRochelle ; illustrated by Jaime Kim ‧ RELEASE DATE: Dec. 11, 2018
Treacle drips from every page. Find self-esteem elsewhere.
The voice of an omniscient narrator, who may or may not be a caregiver, speaks directly to an unhappy child with an invitation to a very special place.
The child follows directions to the beautiful title isle “just across the bay.” Ferried across by a toy elephant in a sailboat, the child is given an enthusiastic welcome by more adorable animals and some other children. The little one swims in a waterfall, rides a giant eagle, relaxes in a hammock, and happily engages with some of the other children. Several of the activities are stereotypically girl-associated, and the other children appear to be girls with varying skin tones and hair textures; the little protagonist has light skin and a brown pageboy and is only suggested as female. After elaborate entertainments and a sweet feast, the child is assured that “someone loves you very, very, very much” before being borne safely home. Deep purple, bright pastel pink, and yellow watercolors dominate the color palette, creating a magical, otherworldly atmosphere. But it is also somewhat creepy as well. The Isle of You exists only for the protagonist’s happiness, even the other children there, who appear to have no existence in the real world. Apparently intended to build self-esteem and comfort, it seems to encourage self-centeredness instead, as does the ending play on the pronunciation of the title words.
Treacle drips from every page. Find self-esteem elsewhere. (Picture book. 2-4)Pub Date: Dec. 11, 2018
ISBN: 978-0-7636-9116-5
Page Count: 32
Publisher: Candlewick
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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by David LaRochelle ; illustrated by Mike Wohnoutka
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